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This chapter offers key conclusions of Demons of the Mind, highlighting the changed cinematic, critical and psychiatric landscapes at the end of the long 1960s period. As an example of this, it highlights how the new psychiatric realism that evolved in this period helped bring an end to the Production Code Administration, with its religious-basis for ...
Tim Snelson +2 more
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Tim Snelson +2 more
openaire +1 more source