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Giorgio Agamben’s genealogy of office
European Journal of Cultural and Political Sociology, 2017This paper offers a historical redescription of the genealogy of office presented in Giorgio Agamben’s Opus Dei: An archaeology of duty. Agamben’s treatment of the Christian liturgy as the source of the modern concept of office is described as a Heideggerian allegory grounded in a metaphysical history of being.
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2014
Cinema and Agamben brings together a group of established scholars of film and visual culture to explore the nexus between the moving image and the influential work of Italian philosopher Giorgio Agamben. Including two original texts by Agamben himself, published here for the first time in English translation, these essays facilitate a unique ...
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Cinema and Agamben brings together a group of established scholars of film and visual culture to explore the nexus between the moving image and the influential work of Italian philosopher Giorgio Agamben. Including two original texts by Agamben himself, published here for the first time in English translation, these essays facilitate a unique ...
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Diacritics, 2000
In a preface written for the French translation of his Infancy and History: The Destruction of Experience, Giorgio Agamben states that "every written work can be regarded as the prologue (or rather, the broken cast) of a work never penned, and destined to remain so, because later works, which in turn will be the prologues or the moulds for other absent
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In a preface written for the French translation of his Infancy and History: The Destruction of Experience, Giorgio Agamben states that "every written work can be regarded as the prologue (or rather, the broken cast) of a work never penned, and destined to remain so, because later works, which in turn will be the prologues or the moulds for other absent
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Philosophy Compass, 2012
Abstract This article argues that Agamben’s conception of fiction is crucial for understanding his recent works. I suggest that the key to understanding Agamben conception of fiction is to be found in a few curious remarks at the end of Language and Death.
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Abstract This article argues that Agamben’s conception of fiction is crucial for understanding his recent works. I suggest that the key to understanding Agamben conception of fiction is to be found in a few curious remarks at the end of Language and Death.
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International Dialogue, 2017
The publication of Giorgio Agamben’s The Use of Bodies in 2014, followed the next year by Adam Kotsko’s English translation, marked a momentous event in the history of more recent continental thought, bringing to a close one of the most far reaching and ambitious scholarly and philosophical labors of the twentieth century.
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The publication of Giorgio Agamben’s The Use of Bodies in 2014, followed the next year by Adam Kotsko’s English translation, marked a momentous event in the history of more recent continental thought, bringing to a close one of the most far reaching and ambitious scholarly and philosophical labors of the twentieth century.
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2015
Second contribution to the Serialized Forum American Studies and Italian ...
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Second contribution to the Serialized Forum American Studies and Italian ...
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Law and Critique, 2009
The article argues that the contentious and complex concept of ‘authenticity’, which Agamben develops from Heidegger, forms a central continuity between Agamben’s earlier work, which focuses more on language and art, and his later work, which focuses more on politics.
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The article argues that the contentious and complex concept of ‘authenticity’, which Agamben develops from Heidegger, forms a central continuity between Agamben’s earlier work, which focuses more on language and art, and his later work, which focuses more on politics.
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