Results 1 to 10 of about 201 (74)

Exils cinématographiques pluriels chez Aki Kaurismäki [PDF]

open access: yes, 2023
Aki Kaurismäki transcrit son fort sentiment de marginalité dans un cinéma décalé de l’errance, dans Le Havre (2011) et L’autre côté de l’espoir (2017), deux films qui s’inscrivent dans la décennie 2010 des crises migratoires.
Cellier, Camille
core   +1 more source

People on the Move

open access: yes, 2020
CrossCurrents, Volume 70, Issue 3, Page 263-275, September 2020.
Daria Pezzoli‐Olgiati
wiley   +1 more source

The Camera’s Ironic Point of View: Notes on Strange and Comic Elements in the Films of Aki Kaurismäki [PDF]

open access: yes, 2018
There has been a consensus among critics ever since the early 1980s that Aki Kaurismäki’s films are ironic, but the ways in which irony manifests itself in his systematic and significant use of cinematic devices and how these are aimed at eliciting ...
Seppälä, Jaakko, Jaakko Seppälä
core   +1 more source

Aki Kaurismäki’nin Le Havre ve Umudun Öteki Yüzü filmlerinde gündelik hayat bağlamında ‘öteki’ [PDF]

open access: yes, 2023
The cinema of Aki Kaurismäki has a special place in world cinema as the synergy of the oppressed and the rabble. Le Havre and The Other Side of Hope, which belong to the unfinished Harbor Town Trilogy of Aki Kaurismäki, are important films of the ...
Engür, Merve   +3 more
core   +1 more source

"Nuorsuomalainen" Saimaa-ilmiö [PDF]

open access: yes, 1981
Saimaa-ilmiöMika Kaurismäki,Aki ...
Kaurismäki, Aki   +2 more
core  

Dos fábulas europeas de Aki Kaurismäki: El Havre (2011) y El otro lado de la esperanza (2017)

open access: yes, 2021
Análisis de contenidos de dos trabajos del director finlandés Aki Kaurismäki, El Havre (2011) y El otro lado de la esperanza (2017), ambos basados en los relatos de protagonistas migrantes en la segunda década del siglo XXI, que ponen en evidencia la ...
Sánchez-Escalonilla, Antonio
core   +1 more source

Aki Kaurismäki and Finnish strangeness: Leningrad Cowboys Go America as a cult film [PDF]

open access: yes, 2017
Leningrad Cowboys Go America (1989) was Aki Kaurismäki’s international breakthrough. The film has been less frequently analysed than prototypical Kaurismäki films such as Mies vailla menneisyyttä (The Man Without a Past) (2002).
Seppälä, Jaakko, Jaakko Seppälä
core   +1 more source

The films of Aki Kaurismäki: ludic engagements

open access: yes, 2018
Despite creating an extensive and innovative body of work over the last 30 years, Aki Kaurismäki remains relatively neglected in Anglophone scholarship.
Thomas Austin (4461388)
core   +1 more source

Temporality in Kaurismäki: Anachronism, Allusion, Tableau

open access: yes, 2018
Despite creating an extensive and innovative body of work over the last 30 years, Aki Kaurismäki remains relatively neglected in Anglophone scholarship.
Thomas Austin, Thomas Austin (4461388)
core   +1 more source

Loneliness in the Films of Aki Kaurismäki [PDF]

open access: yes, 2022
I analyse how Kaurismäki employs his signature style of ironic minimalism in representing loneliness. Using minimalist cinematic devices, the filmmaker guides viewers to react with sympathy and empathy to the thoughts and emotions of his deadpan ...
Seppälä, Jaakko
core  

Home - About - Disclaimer - Privacy