Results 61 to 70 of about 120 (90)

Michèle Soriano (Estudio crítico de), La rabia, de Albertina Carri

Cinémas d’Amérique latine
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Time-Riding: Albertina Carri and the Ironic Affective Presence of the Past

Journal of Latin American Cultural Studies, 2018
Following her work as film director, Argentine artist Albertina Carri presented a series of installations called Operation Failure and the Recovered Sound.
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Queer-haptic aesthetics in the films of Lucrecia Martel and Albertina Carri

Studies in Spanish and Latin American Cinemas, 2017
Abstract Lucrecia Martel and Albertina Carri are contemporaneous Argentine directors whose films are frequently included in the category ‘New Argentine Cinema’. Often interpreted as indictments of bourgeois cultural values, Martel’s La ciénaga/The Swamp (Martel, 2001), La niña santa/The Holy Girl (Martel, 2004) and La mujer sin cabeza ...
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El silencio de la infancia en el cine de Albertina Carri

Atlante. Revue d'études romanes, 2016
El artículo se propone abordar el cine de Albertina Carri, cineasta,  hija de secuestrados - desaparecidos por la última dictadura cívico militar en la Argentina de 1976.A partir del análisis crítico narrativo del cortometraje Restos (2010) y el film Los Rubios (2003) se problematiza el concepto de memoria en la construcción estética del cine.Se ...
Carlos Vallina, Lía Gómez
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Matters of Memory in Los rubios by Albertina Carri

2016
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Violence and Representation: Postdictatorship Visions in Lita Stantic and Albertina Carri

2010
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Toying with history: Playful memory in Albertina Carri's Los rubios

Journal of Romance Studies, 2013
This article analyses the use of Playmobil figures in Albertina Carri’s autofictional film, Los rubios [The Blondes] (2003). Deploying what the author calls a ‘playful memory’ of the traumatic past in Argentina, Los rubios is a pioneering example of a new trend of post-dictatorship cultural remembrance that takes a desacralized, non-solemn and de ...
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Toying with History in Albertina Carri’s Los rubios

2016
This chapter analyzes the use of Playmobil figures in Albertina Carri’s Los rubios (2003), a pioneering example of a new trend of post-dictatorship cultural remembrance that takes a desacralized and anti-monumental approach to the past. By drawing parallels between Los rubios and playful memories of other traumatic events—notably the Holocaust—the ...
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La infancia en "Los rubios" de Albertina Carri

2017
Este artículo propone desarrollar algunos conceptos que ayuden a entender la perspectiva específica de este largometraje de Albertina Carri respecto al complejo panorama de las formas de memoria que se comenzaron a articular en Argentina tras las dictadura militar.
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