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From Art to Arthritis: Albrecht Dürer [PDF]
Through their craft, artists have long honed observation skills that have allowed them to depict human anatomy and pathology in great detail. In fact, artists’ depictions of abnormal findings may even predate the identification of pathologies by medical ...
Isaac Benque
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Albrecht Dürer’s Image in the Art Works and Theory of the Nazarene Movement and its Followers [PDF]
The formation of Albrecht Dürer’s cult in German romantic culture is an important problem of modern art history, since the image of the German master, created in the first half of the 19th century, still influences the perception of his work. The article
Frolova Liudmila V.
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Before Mnemosyne: Wilhelmine Cultural History Exhibitions and the Genesis of Warburg's Picture Atlas. [PDF]
Abstract Aby Warburg's Bilderatlas Mnemosyne, left unfinished in 1929, has attracted significant interest in recent decades. This essay offers a new interpretation of Warburg's “picture atlas,” not in relation to modernist collage and photomontage, but as an heir to scientific pedagogical exhibitions of the late Wilhelmine period.
Vollgraff M.
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Pre-industrial Use of Bauxite by Late Gothic Goldsmith Masters: Analytical Evidence and Experimental Study. [PDF]
First analytical evidence and replication of yet undescribed substantial change in gilding technology in the early modern period ‐ the replacement of imported red clay (bole) with locally available bauxite. Proof of its source ‐ Croatian Minjera, according to a unique find of mineral diaspore.
Hradil D +3 more
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A autora analisa O Evangelho Segundo Jesus Cristo (1991), de José Saramago, concentrando a interpretação na gravura “Crucificação de Cristo”, de Albrecht Dürer.
Marlise Vaz Bridi
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The Syphilitic—Dürer’s Woodcut, a Pandemic Unveiled [PDF]
Alexis Demas
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Adam Kraft’s Moving Sandstones
Adam Kraft, Albrecht Dürer’s contemporary in Nuremberg, worked in the material of sandstone to provide a comparable experience in carved relief about the Passion of Christ.
Larry Silver
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Il contributo intende ricostruire il corpus delle opere di Albrecht Dürer, o a lui attribuite, appartenute alle collezioni dell’ultimo duca di Urbino, Francesco Maria II della Rovere (1549-1631) e proporre un primo censimento delle derivazioni dai suoi ...
Ilaria Sanetti
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Mit dem Kreidestift und Farben: Revolutionizing Grünewald in the German Democratic Republic
In 1952, the director of East Berlin's Märkisches Museum discovered three drawings by Matthias Grünewald pasted into a Luther Bible. This remarkable find set off a fascinating tale of art‐historical espionage, but also served as a generative moment for the construction of the well‐worn cliché of Grünewald as a revolutionary and peasant sympathizer.
Tamara Golan
wiley +1 more source
What Is Pedagogy? Discovering the Hidden Pedagogical Dimension
Abstract What is pedagogy, exactly? Merriam‐Webster defines it simply as “the art, science, or profession of teaching.” In contemporary academic discourse, however, pedagogy is generally left undefined — with its apparent implicit meanings ranging anywhere from a specific “model for teaching” (e.g., behaviorist or progressivist instruction) to a ...
Norm Friesen, Hanno Su
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