Results 41 to 50 of about 3,262 (208)

A Study of The Relationship Between Nature and Painting in The Renaissance: Taking Albrecht DÜRer's Works as An Example

open access: yesJournal of Education, Humanities and Social Sciences
Many magnificent works of art were produced during the Renaissance, which not only reflected the progress of art but also reflected the deep connection between nature and art.
Yuqing Xie
semanticscholar   +1 more source

Artifex Ars Cartographica: Collaboration Between Portuguese Painters and Cartographers in the Fifteenth and Sixteenth Centuries

open access: yesRenaissance Studies, EarlyView.
ABSTRACT During the fifteenth and sixteenth centuries, there was no statutory difference between cartography, drawing and painting. These activities were performed then by craftsmen who were part of a vast group under the umbrella of ‘mechanical arts’ and fell under the ‘artifex’ category. Artifex were experts in any particular art, whether a craftsman,
Vasco Medeiros
wiley   +1 more source

Albrecht Dürer’s Drawing Devices: an Experimental Study

open access: yesEarly Science and Medicine
In the two editions of his Underweysung der Messung of 1525 and 1538, Albrecht Dürer published designs for four devices to help artists with drawing. The present author has reconstructed all four tools and made experiments, in each case drawing a lute ...
Philip Steadman
semanticscholar   +1 more source

Os Perspectógrafos de Dürer na educação matemática: história, geometria e visualização [PDF]

open access: yes, 2012
Dissertação (mestrado) - Universidade Federal de Santa Catarina, Programa de Pós-Graduação em Educação Científica e Tecnológica, Florianópolis, 2009No presente trabalho, fazemos um estudo sobre os perspectógrafos de Albrecht Dürer, que durante o ...
Meneguzzi, Thatieli
core  

The people of Calicut: objects, texts, and images in the Age of Proto-Ethnography

open access: yesBoletim do Museu Paraense Emílio Goeldi. Ciências Humanas
Some early sixteenth-century works by artists from southern Germany (Albrecht Dürer, Hans Burgkmair, Albrecht Altdorfer, Jörg Breu) representing the 'people of Calicut' (which was then supposed to be accessible from Europe both in an eastward and ...
Christian Feest
doaj   +1 more source

The polyhedron on Duerer's "Melencolia I"

open access: yesActa Neophilologica, 1994
The polyhedron with triangular and pentagonal faces on the Duerer's "MELENCOLIA I" engraving is said to be a cube with two opposite corners cut off.  A cube has 6 faces, 12 sides and 8 corners.
Tine Kurent
doaj   +1 more source

Dürer-Mappe [PDF]

open access: yes, 1902
DÜRER-MAPPE Dürer-Mappe ( - ) Cover ( - ) Titelseite ([1]) Text ([1]) Abbildung: Die apokalyptischen Reiter ([1]) Abbildung: Drei kleinere Stiche ([2]) Abbildung: Albrecht Dürer Ruhe auf der Fkucht nach Egypten ...
Dürer, Albrecht
core  

A REPRESENTAÇÃO DA FIGURA DO DIABO NA OBRA “O CAVALEIRO, A MORTE E O DIABO” DE ALBRECHT DÜRER (1513): análise narrativa e iconográfica

open access: yesCadernos de Pesquisa, 2011
Estudo acerca da representação da figura do Diabo na obra "O cavaleiro, a Morte e o Diabo", 1513, de Albrecht Dürer. Nesse trabalho expomos uma abordagem que envolve estruturas religiosas e a ascensão do Cristianismo, expressão religiosa que atinge ...
Weeslem Costa de Lima   +1 more
doaj  

ALL THAT GLITTERS: THE MANY OBJECTS OF ROME'S MUSEUM OF CIVILIZATIONS

open access: yesHistory and Theory, Volume 64, Issue 3, Page 422-452, September 2025.
ABSTRACT This review article examines the various methodologies practiced by Rome's Museum of Civilizations (Museo delle Civiltà) to discuss the contemporary curatorial approaches of traditional ethnographic museums. It adopts a historical and comparative perspective to situate the diverse collections within ongoing debates about art restitution.
Arielle Xena Alterwaite
wiley   +1 more source

THE USE OF VEGETAL THEMES IN THE WORKS OF ALBRECHT DÜRER IN INDUSTRIAL CERAMIC DESIGNS

open access: yesZEITSCHRIFT FÜR DIE WELT DER TÜRKEN / JOURNAL OF WORLD OF TURKS / TÜRKLERİN DÜNYASI DERGİSİ
Building materials have been shaped according to the conditions of the climate and the period with the settlement of humanity. Materials have developed within the possibilities offered by technology and have become indispensable elements of structures.
Esra Nurten Gül, Serpil Yayman
semanticscholar   +1 more source

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