Results 51 to 60 of about 249 (133)

Marshall's Ignorant Hand

open access: yes
Milton Quarterly, Volume 59, Issue 3, Page 128-138, October 2025.
Tomos Evans
wiley   +1 more source

Marketing favours: Formal and informal criteria for pricing Albrecht Dürer‘s works between 1500 and 1650

open access: yesJournal for Art Market Studies, 2017
From an economical point of view, Albrecht Dürer was one of the most successful artists of his time. However, there was never a single market or price system for Dürer’s works, be it during his lifetime or posthumously.
Anja Grebe
doaj   +1 more source

Dürers Nashorn und die Nahrung von Eresus cinnberinus (Olivier) (Araneae: Eresidae)

open access: yesArachnologische Mitteilungen, 1999
The first rhinoceros of the post-roman era reached Europe in 1513. Albrecht Dürer, who had not seen the animal himself, made a woodcut that contained several odd features. This woodcut determined the appearance of rhinocerus for the next two centuries. -
Walter, Jakob E.
doaj   +1 more source

München, Roma, ChristianiaKomposisjon og kunsthistorie i altertavlen Adolph Tidemand aldri malte

open access: yesKunst og Kultur, 2019
Denne artikkelen undersøker Adolph Tidemands studiereise til München og Roma i 1841–42, og hvordan han gjorde bruk av kunsthistoriske forlegg i oppbyggingen av egne komposisjoner.
Eilif Salemonsen
doaj   +1 more source

A QUESTÃO DA MELANCOLIA NA HISTÓRIA E NA PSICOLOGIA: UMA ANÁLISE A PARTIR DA “MELANCOLIA I” DE DÜRER

open access: yesÚltimo Andar, 2016
O presente trabalho é fruto de uma investigação de mestrado que tem como base a análise hermenêutica da gravura “Melancolia I”, obra do renascentista Albrecht Dürer.
Marcel Henrique Rodrigues
doaj  

Sob o signo da iconologia: uma exploração do livro Saturno e a melancolia, de R. Klibansky, E. Panofsky e F. Saxl

open access: yesTopoi
Ao ser publicado, na Inglaterra, em 1964, o livro Saturno e a melancolia perdera os referenciais históricos e culturais que marcaram sua versão embrionária, na Hamburgo da década de 1920.
Sérgio Alcides
doaj   +1 more source

Just what is it that makes identification-portrait hypotheses so appealing? On why Hans Süss von Kulmbach “must” have portrayed John Boner [PDF]

open access: yesJournal of Art Historiography, 2017
The alleged apprentice of Albrecht Dürer, Hans Süss von Kulmbach (d. 1522), ‘must’ have painted at least one crypto-portrait of the Krakow banker John Boner (d. 1523), who went down in history as ‘the Polish Jacob Fugger.’ Such a conviction has seemingly
Masza Sitek
doaj  

Changing inclinations of eye banking. [PDF]

open access: yesIndian J Ophthalmol, 2023
Vanathi M.
europepmc   +1 more source

Albrecht Durer: drawing of bracelet with chinese dragon (notes on jewelry prototype)

open access: yesАнтичная древность и средние века, 2019
The main idea of the paper is to give the presentation of «dragon-fish», Chinese traditional drawing motif. Most likely, the Durer’s figure is based with Mediterranean replica of the original jewelry on time of Marco Polo.
Mark Grigor'yevich Kramarovsky
doaj  

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