Results 31 to 40 of about 8,125 (184)

« Ubu roi », entre le secret et la confession

open access: yesSymbolon, 2020
“King Ubu”, Between Secret and Confession Long after December 10, 1896, date of the outrageous premiere of “Ubu Roi” at the Théâtre de L´Œuvre in Paris, the circumstances that made Alfred Jarry the author of this play, whose proto-version, “Les Polonais”,
Ioana Alexandrescu
doaj  

Witajcie w patafizyce! Oswajanie śmierci, próżnia imienia w „Soku z żuka” Tima Burtona

open access: yesKwartalnik Filmowy, 2016
W Soku z żuka (1988) Tima Burtona, podobnie jak w całym jego kinie, dużo mówi się o śmierci, ale śmierć – zgodnie z duchem postmodernizmu – jest tu traktowana lekko i beztrosko, i właściwie niczym szczególnym nie różni się od życia. Prawdziwa śmierć dla
Andrzej Zalewski
doaj   +1 more source

The Anti-Fascist Politics of Studioing

open access: yesRevista Portuguesa de Pedagogia, 2022
This article argues that art education ought to be central to the struggle against contemporary capitalist fascism. The authors turn to the space and time of the studio as the unique contribution of art education to antifascist struggles.
Tyson Lewis, Peter Hyland
doaj   +1 more source

Dances on the Edges of Modernism [PDF]

open access: yes, 2000
When modernism started to become the major paradigm in the western world, western theatre also took part in the development. Realism, a child of modernism, soon became the mainstream of the theatrical expression.
Basuki, R. (Ribut)
core   +2 more sources

Georges Balandier’s Africa : postcolonial translations and ambiguous reprises [PDF]

open access: yes, 2018
This article focuses on Georges Balandier’s autobiographical essay Afrique ambiguë (1957). Its translation into English, Ambiguous Africa: Cultures in Collision (1966), provides the basis for an examination of the concept of translation in its linguistic
Fraiture, Pierre-Philippe
core   +1 more source

Ubú Picasso

open access: yesArchivo Español de Arte, 2005
Ubú es un personaje —no nos atrevemos a definirlo como de ficción— materializado en 1896 por el escritor Alfred Jarry como protagonista de la pieza teatral Ubú rey, a la que seguirán diversas secuelas.
Inocente Soto Calzado
doaj   +1 more source

’Patadesign: A pedagogical experiment on Design of Exception, Absurd Artifacts, and Imaginary Interfaces

open access: yesDearq, 2020
By combining ’Pataphysics with speculative critical design approaches, our goal is to present ’Patadesign: a pedagogical framework and thought experiment that can expand possibilities for design practices.
Isabella Brandalise, Henrique Eira
doaj   +1 more source

À la rencontre de quelques avant-gardes choisies

open access: yesAnuario de Letras Modernas, 2021
This article undertakes a chosen journey through the various avant-garde manifestations that flourished since the end of the 19th century to the 60s. The reasons for their emergence and the excesses of their creations constitute the axes of this essay ...
Monique Landais
doaj   +1 more source

Presentation of the Theatrical Surrealism: Alfred Jarry’s “Ubu-King, or the Polishers” (1896)

open access: yesВісник Київського національного університету культури і мистецтв. Серія: Сценічне мистецтво, 2021
The purpose of the article is to determine the benchmark of the vanguard theatrical movement, which European art criticism reasonably recognized the “Ubu-king, or the Polishers” after Alfred Jarry’s tragifarce, performed in Paris, in the “L’Oeuvre ...
Марина Гринишина   +2 more
doaj   +1 more source

The simultaneity of complementary conditions:re-integrating and balancing analogue and digital matter(s) in basic architectural education [PDF]

open access: yes, 2008
The actual, globally established, general digital procedures in basic architectural education,producing well-behaved, seemingly attractive up-to-date projects, spaces and first general-researchon all scale levels, apparently present a certain growing ...
Wiesner, Thomas
core   +3 more sources

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