Results 1 to 10 of about 87 (67)

Virtual fashion experiences in virtual reality fashion show spaces [PDF]

open access: yesFrontiers in Psychology, 2023
IntroductionVirtual reality (VR) provides a new fashion space and fashion experience. This study focuses on immersive VR and fashion shows to empirically explore the VR fashion space and fashion experience.
Se Jin Kim
doaj   +2 more sources

Pataphysics and Computing [PDF]

open access: yes, 2022
Given the transcendent subjectivity of pataphysics and the low-level exactitude of computing, it might seem at first glance that the two can have little in common. Yet computing has repeatedly used pataphysical approaches. In software abstractions, imaginary solutions are often encountered and the notion of equivalence is not so startling. Pataphysical
Andrew Hugill, James Hendler
openaire   +3 more sources

The Anti-Fascist Politics of Studioing

open access: yesRevista Portuguesa de Pedagogia, 2022
This article argues that art education ought to be central to the struggle against contemporary capitalist fascism. The authors turn to the space and time of the studio as the unique contribution of art education to antifascist struggles.
Tyson Lewis, Peter Hyland
doaj   +1 more source

Black coffee. Marcel Duchamp’s pataphysical sensism

open access: yesRelief: Revue Électronique de Littérature Francaise, 2016
Duchamp’s readymade is usually interpreted as a bold and cerebral emancipation of modern art from the material, the craft and natural beauty, and the discovery of the continent of conceptual art.
Dirk van Weelden
doaj   +5 more sources

Workshop of Potential Scholarship: Manifesto for a parametric videographic criticism

open access: yesNECSUS, 2021
This article sets out the rationale for a videographic scholarship (the audiovisual study of screen media) that adopts constraint-based or ‘parametric’ procedures, and concludes with a short manifesto composed according to the simple constraint of ...
Alan O'Leary
doaj   +1 more source

Marcel Duchamp and Alfred Jarry

open access: yesRelief: Revue Électronique de Littérature Francaise, 2016
Alfred Jarry (1873-1907) is usually presented as one of Marcel Duchamp’s literary examples. Duchamp however never explicitly named Jarry as such; unlike he did with Jules Laforgue, Raymond Roussel and Jean-Paul Brisset.
Pieter de Nijs
doaj   +5 more sources

’Patadesign: A pedagogical experiment on Design of Exception, Absurd Artifacts, and Imaginary Interfaces

open access: yesDearq, 2020
By combining ’Pataphysics with speculative critical design approaches, our goal is to present ’Patadesign: a pedagogical framework and thought experiment that can expand possibilities for design practices.
Isabella Brandalise, Henrique Eira
doaj   +1 more source

Creative search using pataphysics [PDF]

open access: yesProceedings of the 9th ACM Conference on Creativity & Cognition, 2013
This paper looks at defining, analysing and practicing how creativity can be applied to search tools. It defines creativity with respect to search and discusses how these concepts could be applied in software engineering using principles from the pseudo-philosophy of pataphysics.
Fania Raczinski   +2 more
openaire   +1 more source

PRASCAL: a pataphysical programming language [PDF]

open access: yesInternational Journal of Creative Computing, 2016
This paper introduces PRASCAL, a programming language that distorts traditional PASCAL using pataphysical principles. The aim of the language is to stimulate creativity and to embed playfulness in computer systems. A wider aim is to reach towards a less severe, more human, form of logic.
Andrew Hugill, Hongji Yang
openaire   +1 more source

Pastiche as a Reception of the Grotesque Construction of Boris Vian’s Novel “Turmoil in the Swaths”

open access: yesИзвестия Южного федерального университета: Филологические науки, 2019
The article discusses the features of the grotesque construction of the first novel by Boris Vian “Turmoil in the Swaths”. It is shown that one of the dominant methods of creating the grotesque space of the work is pastiche in postmodern semantic content.
Sofia V. Minasyan
doaj   +1 more source

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