Results 1 to 10 of about 6,657 (157)

Synonymy and rank in alliterative poetry

open access: yesSign Systems Studies, 2012
This paper addresses the high sonic demands of alliterative metres, and the consequences of these demands for sense: the semantic stretching of common words and the deployment of uncommon (archaic, 'poetic') words.
Jonathan Roper
doaj   +2 more sources

Rhyme in dróttkvætt, from Old Germanic Inheritance to Contemporary Poetic Ecology I: Overview and Argument

open access: yesStudia Metrica et Poetica, 2023
This paper is the first in a three-part series or tryptic that argues for the Old Germanic origins of rhyme in the Old Norse dróttkvætt meter. This meter requires rhymes on the stressed syllables of two words within a six-position line, irrespective of ...
Frog
doaj   +1 more source

Old english poetic paraphrases of the song of the three youths from the poems Daniel and Azarias [PDF]

open access: yesВестник Православного Свято-Тихоновского гуманитарного университета: Сериа III. Филология, 2018
The paper contains the translations of the two Old English poetic paraphrases of the Song of the Three Youths, preserved in the poems Daniel and Azarias. The translation follows the principle of equilinearity.
Maria Yatsenko
doaj   +1 more source

Rhyme in dróttkvætt, from Old Germanic Inheritance to Contemporary Poetic Ecology II: Rhyme as an Inherited Device of Old Germanic Verse

open access: yesStudia Metrica et Poetica, 2023
This paper is the second in a three-part series on the distinctive type of rhyme in the Old Norse dróttkvætt meter, argued to have emerged through the metricalization of uses of rhyme within a short line found across Old Germanic poetries.
Frog
doaj   +1 more source

Heroic register, oral tradition, and the Alliterative Morte Arthure [PDF]

open access: yes, 2011
The Middle English Alliterative Morte Arthure (the Morte henceforth) begins with an appeal by the poet for his audience to listen to him as he tells his tale, thus asking them to focus on the aurality of his words.
Mouser, Rebecca Richardson
core   +11 more sources

Recognising Intertextuality in the Digital Corpus of Finnic Oral Poetry

open access: yesDigital Humanities in the Nordic and Baltic Countries Publications, 2022
While digital corpora have enabled new perspectives into the variation and continuums of human communication, they often pose problems related to implicit biases of the data and the limited reach of current methods in recognising similarity in ...
Kati Kallio   +3 more
doaj   +1 more source

English Alliterative Verse: Poetic Tradition and Literary History [PDF]

open access: yes, 2016
English Alliterative Verse tells the story of the medieval poetic tradition that includes Beowulf, Piers Plowman, and Sir Gawain and the Green Knight, stretching from the eighth century, when English poetry first appeared in manuscripts, to the sixteenth
Eric Weiskott
core   +1 more source

Alliteration in Modern and Middle English: “Piers Plowman”

open access: yesArmenian Folia Anglistika, 2014
William Langland’s 8000-line fourteenth-century poem Piers Plowman uses an alliterative rhyme scheme inherited from Old English in which, instead of a rhyme at the end of a line, at least three out of the four stressed syllables in each line begin with ...
Peter Sutton
doaj   +1 more source

‘Thare is na leid on life of lordship hym like’: linguistic means of depicting king arthur in the poem Golagros and Gawain

open access: yesВестник Самарского университета: История, педагогика, филология, 2020
It has recently been marked that the figure of king Arthur in Scottish literature is rather controversial: on the one hand, Arthur is a noble and valiant knight; on the other hand, he is an arrogant invader whose aim is to conquer the whole world.
A. G. Stoliarova
doaj   +1 more source

Punctuating Old English Poetry: Challenges and Strategies [PDF]

open access: yes, 2018
As in other early language traditions, premodern English poetry was written out with very light punctuation. The sparsity of manuscript punctuation appears especially problematic in the period before 1200, when poetry in English lacked visual linebreaks.
Eric Weiskott
core   +1 more source

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