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Pandemics, Delays, and Pure Data: on ‘afterlives’ (2020), for Flute and Live Electronics and Visuals
Revista Vortex, 2021 The essay addresses creative and technical aspects of the piece ‘afterlives’ (2020), for flute and live electronics and visuals. Composed and premiered in the context of the COVID-19 pandemic, the composition employs audiovisual processes based on ...
10.33871/23179937.2021.9.2.17
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, 2019 We present a novel learning-based approach to estimate the direction-of-arrival (DOA) of a sound source using a convolutional recurrent neural network (CRNN) trained via regression on synthetic data and Cartesian labels.
Hogan, Kevin +3 more
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Embedding Distance Information in Binaural Renderings of Far Field Recordings [PDF]
, 2014 Traditional representations of sound fields based on spherical harmonics expansions do not include the sound source distance information. As multipole expansions can accurately encode the distance of a sound source, they can be used for accurate sound ...
Sakamoto, Shuichi +3 more
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Report on a medium-scale three dimensional artificial soundscape rendition: research and development system [PDF]
, 2002 A geodesic dome housing a 32Xspeaker
Lennox, Peter
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Applied SciencesThis paper introduces RSoANU, a dataset of real multichannel room impulse responses (RIRs) obtained in a recording studio. Compared to the current publicly available datasets, RSoANU distinguishes itself by featuring RIRs captured using both a 32-channel
Grace Chesworth +2 more
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Active control of sound inside a sphere via control of the acoustic pressure at the boundary surface
, 2005 Here we investigate the practical feasibility of performing soundfield reproduction throughout a three-dimensional area by controlling the acoustic pressure measured at the boundary surface of the volume in question.
Epain, Nicolas, Friot, Emmanuel
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Improving Csound's Ambisonics decoders
, 2019 This paper describes the efforts we devoted to improve Ambisonics decoders in Csound. Current version of the existing opcode, namely bformdec1, has some limitations that should be surpassed in order that the decoders better fulfill the Ambisonics criteria.
Zinemanas, Pablo +2 more
openaire +3 more sources
Archives of AcousticsThe research explores the production and critical evaluation of two distinct mixes of “Dancing Ends”, a musical composition by Łukasz Pieprzyk. These mixes were engineered using two cutting-edge spatial sound technologies: Dolby Atmos and Ambisonics. The
Paweł MAŁECKI +2 more
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Ambisonics’ setup quality assessment through measurements and computations based on ITD and ILD functions using subbands and a Gammatone Filter Bank [PDF]
International Journal of Electronics and TelecommunicationsPoznan Supercomputing and Networking Center (PSNC) developed an ambisonic installation and workflow as part of audio-visual 8K VR 360° immersive media experiments.
Marcin Dąbrowski +3 more
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Sound localisation definition in parametrically and non-parametrically decoded first-order ambisonic systems [PDF]
International Journal of Electronics and TelecommunicationsThis study assessed sound localisation definition in ambisonic systems using two-non-parametric and three parametric decoders, in a two-dimensional format. The sound samples were played back through eight loudspeakers arranged in a circle.
Jacek Majer
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