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The Culture Heritage Protection: Suggestive Themes and Views of August Wilson’s Fences [PDF]

open access: yesLitinfinite, 2022
Identity, values, history, language and principles of a man all compose the cultural form of a cultural form of an individual. Man becomes the focal point of most subject matters of the modernist writers who focus on the concept of humanism. In the light
Hasan Hadi Ali
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“The Radio Said They Were Just Deportees”: From Border Necropolitics to Transformative Grief in Tim Z. Hernandez’s All They Will Call You (2017)

open access: yesHumanities, 2023
Just as necropower discriminates between those who can and those who cannot live, post-mortem circumstances are explicitly affected by an irrefutable gentrification of memory and grievability.
Carolina Sánchez-Palencia
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Indigenous Antinuclear Literary Resistance: Jim Northrup’s Satire and Anishinaabe Trans/nationalism

open access: yesJournal of Transnational American Studies, 2020
“Indigenous Antinuclear Literary Resistance: Jim Northrup’s Satire and Anishinaabe Trans/nationalism” examines the way Jim Northrup (1943–2016), an Anishinaabe writer from the Fond du Lac Band of Lake Superior Chippewa in northern Minnesota, engages ...
Kyoko Matsunaga
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A Janus-faced Empire

open access: yesIperstoria, 2023
Upon gaining independence from Great Britain, the newly formed United States of America underwent a rapid process of cultural decolonization, including the development of a native and self-sovereign ‘American Literature’ throughout the long 19th century.
Adam Nemmers
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Teaching Black Lives in College When Black Lives Didn’t Matter that Much K through 12

open access: yesRadical Teacher, 2020
This article explores complexities in teaching Black-authored material (especially Hip Hop lyricism) in premominantly non-Black college composition courses.
Sarah Trembath
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Senza mare all'orizzonte: turismo di massa, consumo e spettacolo in A Supposedly Fun Thing I'll Never Do Again di David Foster Wallace

open access: yesIperstoria, 2014
Nonostante la letteratura di mare statunitense sia sovente identificata soprattutto con la grande narrativa ottocentesca, da James Fenimore Cooper a Richard Henry Dana e fino a Herman Melville (e con una regione, il New England, per cui il mare è stato a
Cinzia Schiavini
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High or popular literature?: John Updike's Rabbit series

open access: yesActa Neophilologica, 2010
The article addresses the issue of the ambivalent relationship between high and popular literature. Relying on the criteria proposed by Ken Gelder, the author seeks to prove those artistic qualities of John Updike's Rabbit sequence that ensure his ...
Jerneja Petrič
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Feeling Like the Colorado River: A Groundwork for Restoration Ecocriticism / Colorado Nehri Gibi Hissetmek: Restorasyon Çevreci Eleştirisi’nin Temelleri [PDF]

open access: yesFolklor/Edebiyat, 2022
Environmentalism has entered a new phase. For the past three decades, communities around the world have been voicing land, air, water pollution, toxicity, diseases connected to contaminated environments, clearcutting, soil erosion, mountaintop removal,
Ufuk Özdağ
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The Dutch in the Levant: Trade and Travel in the Seventeenth Century

open access: yesBelleten, 2011
Although Dutch connections with the Levant, especially in terms of pilgrimages to the Holy Land, and also within the context of the Crusades, may go back to the Middle Ages and perhaps even before, it was from the late sixteenth ...
Himmet Umunç
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Capitalism, Ecosocialism and Reparative Readers in Ursula Le Guin’s The Word for World Is Forest

open access: yesLiterature, 2023
Ursula Le Guin’s The Word for World is Forest emerged as a reaction to the Vietnam War, which ravaged human and nonhuman lifeworlds. Le Guin offers two competing discursive systems through which to interpret human and nonhuman alterity—Terran industrial ...
Sneharika Roy
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