Results 211 to 220 of about 4,084,135 (353)

Not Just Half a Doctor: Promoting Humanism During Stressful Times. [PDF]

Ann Child Neurol Soc
Bamford NS, Dlamini N, Cohen BH, Tilton A, Pomeroy SL, Pearl PL, Schor NF, Roach ES.   +7 more
europepmc   +1 more source

The Nadir of American Poetry [PDF]

, 1975
Locklin, Gerald
core  

Using Celebrity to Advance Equality

Journal of Social Philosophy, EarlyView.
Alfred Archer
wiley   +1 more source

Text as tape: On the voice in the late prose of Friederike Mayröcker

Orbis Litterarum, EarlyView.
Abstract For a text to have a voice means to be caught in a paradox: the text obviously does not speak, so what is that tone rising from the pages? Taking hold of a striking ambivalence, this essay examines the relationship between text and voice in the late prose of Austrian poet Friederike Mayröcker.
Astrid Elander
wiley   +1 more source

Orality and overtness: effects on Spanish subject use. [PDF]

J Hist Socioling
McCarley G.
europepmc   +1 more source

Autofiction as relational mediation: A Ghost in the Throat and To Write as if Already Dead

Orbis Litterarum, EarlyView.
Abstract Because of its exploration of the self and the resemblance to online styles of publishing, autofiction has been accused by certain scholars of reflecting neoliberal tendencies. Hans Demeyer and Sven Vitse have developed a more nuanced view on the relation between autofiction and neoliberalism.
Stijn De Cauwer
wiley   +1 more source

Is Pierre Michon's <i>The Eleven</i> a political novel? [PDF]

Open Res Eur
Ivić N.
europepmc   +1 more source

Middlebrow Aesthetics: An Explanation and Defense

Pacific Philosophical Quarterly, EarlyView.
ABSTRACT We offer a philosophical account of the middlebrow as a theoretical category to do explanatory and critical work in aesthetics. On our account, the middlebrow ought to be understood as aspirational popular art. That is, it is art which aspires both to be popular (in a distinctive sense), and at the same time to be something more than popular ...
Aaron Meskin, Jonathan M. Weinberg
wiley   +1 more source

My Graveyard. [PDF]

Ann Fam Med
Kannai R.
europepmc   +1 more source

‘I'm Dead!’: Action, Homicide and Denied Catharsis in Early Modern Spanish Drama

Renaissance Studies, EarlyView.
Abstract In early modern Spanish drama, the expression ‘¡Muerto soy!’ (‘I'm dead!’) is commonly used to indicate a literal death or to figuratively express a character's extreme fear or passion. Recent studies, even one collection published under the title of ‘¡Muerto soy!’, have paid scant attention to the phrase in context, a serious omission when ...
Ted Bergman
wiley   +1 more source