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Mélanges de l'École française de Rome. Antiquité, 2004
«Texts » on amphorae of the archaic to early classical period appear in various media, on different parts of the jar and on a range of amphora types. Therein distinct patterns of usage are few, but some may be noted, such as «long » texts on SOS and à la brosse jars, underfoot marks on North Greek, and pre-firing ones on Samian.
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«Texts » on amphorae of the archaic to early classical period appear in various media, on different parts of the jar and on a range of amphora types. Therein distinct patterns of usage are few, but some may be noted, such as «long » texts on SOS and à la brosse jars, underfoot marks on North Greek, and pre-firing ones on Samian.
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amphorae and amphora stamps, Greek
2015Abstract Transport amphorae, used throughout the ancient Mediterranean world, were plain clay vessels with two handles, used for the transportation and storage of wine, olive oil, and many other commodities. The specific shapes of the jars varied over time and from region to region, so they can be identified with some degree of ...
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A Group of Amphorae from Side Museum and a New Type of Amphora: The Lycian Amphora?
2014Archäologischer Anzeiger, 1.
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Amphorae in the Eastern Mediterranean
2017Amphorae in the Eastern Mediterranean has been designed to share the subject of amphorae which were found on the Mediterranean coast of Turkey with the wider scholarly community. Amphorae from the shipwrecks discovered during underwater research, as well as the amphora specimens held in the region’s largest museum, Antalya Museum, are examined.
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Amphora Production in the Tripolitanian Gebel
Libyan Studies, 1982AbstractThe paper presents the results of an examination of two Roman kiln sites located by the late R. G. Goodchild, at Tazzoli and Ain Scersciara in the Gebel. They produced amphorae of forms Tripolitana I-III together with coarse wares and tiles. The material is described and illustrated, and the fabrics are examined petrologically as a guide to ...
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Amphora Stamps and Imported Amphoras
2003Donald T. Ariel, Gerald Finkielsztejn
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