Results 101 to 110 of about 30,443 (262)

From Tolstoy's Expressionism to Nietzsche's Skepticism of Philosophers' Neutrality—Constructing and Dismantling the Bridge Between Art and Philosophy

open access: yesThe Philosophical Forum, EarlyView.
ABSTRACT According to Tolstoy's theory of art, personal expression plays a crucial role as an essential artistic element since it is associated with originality and emotional communication. Is personal expression also significant in philosophy? We often tend to believe that in a philosophical theory, this element is, or should be, absent in the pursuit
Tiago Sousa
wiley   +1 more source

The mark of the dispositional: Broad, Ramsey and Wittgenstein

open access: yesPhilosophical Investigations, EarlyView.
Abstract This paper reconstructs a trajectory of theoretical influence on the concept of disposition among C.D. Broad, F.P. Ramsey and L. Wittgenstein. The central thesis is that the form of dispositionalism Wittgenstein criticizes in his post‐Tractarian philosophy—particularly in relation to belief, meaning and understanding—corresponds closely to the
Alice Morelli
wiley   +1 more source

“I had to open my eyes”—A narrative approach to studying the process of adult belief change

open access: yesPolitical Psychology, EarlyView.
Abstract Why do people, socialized and sedimented in their political beliefs, change their convictions in adulthood? Belief change has a long history of research in the social sciences. Yet, in quantitative research, belief change is studied largely through cognitive and behavioral lenses, that, however valuable, struggle to capture how people ...
Marcel van den Haak, Kamile Grusauskaite
wiley   +1 more source

Antidotes [PDF]

open access: yesAcademic Emergency Medicine, 2003
openaire   +2 more sources

From the Cover: In Vitro and In Vivo Blood-Brain Barrier Penetration Studies with the Novel Cyanide Antidote Candidate Dimethyl Trisulfide in Mice [PDF]

open access: bronze, 2017
Lóránd Kiss   +13 more
openalex   +1 more source

‘I'm Dead!’: Action, Homicide and Denied Catharsis in Early Modern Spanish Drama

open access: yesRenaissance Studies, EarlyView.
Abstract In early modern Spanish drama, the expression ‘¡Muerto soy!’ (‘I'm dead!’) is commonly used to indicate a literal death or to figuratively express a character's extreme fear or passion. Recent studies, even one collection published under the title of ‘¡Muerto soy!’, have paid scant attention to the phrase in context, a serious omission when ...
Ted Bergman
wiley   +1 more source

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