Results 41 to 50 of about 496 (173)

DizerOUmostrar, em Wittgenstein, e A Tetralogia da Incomunicabilidade, de Antonioni

open access: yesOuvirOUver, 2017
Os filmes “A Aventura” (1960), “A Noite” (1961) e “O Eclipse” (1962), de Michelangelo Antonioni, não foram premeditadamente concebidos como uma trilogia, mas, ainda que à revelia do diretor, são comumente agrupados como a “Trilogia da Incomunicabilidade”
Ana Paula Grillo El-Jaick
doaj   +1 more source

Cinéma et temps bergsonien

open access: yesRecherches, 2021
This article takes place in the perspective of a Bergsonian Time, the inner Time of consciousness, the memory of the self, but also the memory of the world and the memory of the material.
Erik Pesenti Rossi
doaj   +1 more source

What Else Is Happening to the Mirror Neurons?—A Bibliometric Analysis of Mirror Neuron Research Trends and Future Directions (1996–2024)

open access: yesBrain and Behavior, Volume 15, Issue 4, April 2025.
We conducted a bibliometric analysis of mirror neuron research to examine global publication trends, methodological advancements, and emerging applications. Our findings highlight robust international collaborations, advanced imaging, neurotechnological and immersive technologies, and the translational potential of mirror neuron studies for ...
Yangyang Sun   +5 more
wiley   +1 more source

From Parenthood to Tutto può succedere

open access: yesVIEW Journal of European Television History and Culture, 2020
In our article we propose an analysis of the Italian TV series Tutto può succedere, a remake of the American TV series Parenthood (NBC 2010-2015). The Italian remake precisely reproduces some Parenthood’s ready-made elements: the two series share the ...
Antonioni, Stefania, Checcaglini, Chiara
doaj   +1 more source

Induced pluripotent stem cell models as a tool to investigate and test fluid biomarkers in Alzheimer's disease and frontotemporal dementia

open access: yesBrain Pathology, Volume 34, Issue 4, July 2024.
In this review article, McInvale et al. describe the current state of biomarkers in the clinical context of Alzheimer's disease and Frontotemporal dementia and they discuss how induced pluripotent stem cell (iPSC) models of these diseases have been used to investigate and test biomarkers in differentiated neurons and glial cells.
Julie J. McInvale   +2 more
wiley   +1 more source

“Sorry, no landscapes”. La volatilisation du paysage dans les atmosphères de Blow up (1966) de Michelangelo Antonioni

open access: yesAmbiances
With Blow up, Antonioni continues his search for an atmospheric cinema: variations in light and sound, effects of instability – of the characters, of the camera - and of decentring create singular atmospheres, by turns claustrophobic, volatile or ...
Olivier Gaudin
doaj   +1 more source

Direct reciprocity among humans

open access: yesEthology, Volume 130, Issue 4, April 2024.
The prisoner's dilemma. Abstract Direct reciprocity is the tendency to repay others' cooperation. This tendency can be crucial to maintain cooperation in evolving populations. Once direct reciprocity evolves, individuals have a long‐run interest to cooperate, even if it is costly in the short run.
Charlotte S. L. Rossetti   +1 more
wiley   +1 more source

Eros e a Ciência da Informação

open access: yesEm Questão, 2018
Experimentação sobre o deslizamento de planos entre filosofia, Ciência da Informação e Artes por meio da trilogia da incomunicabilidade formada pelos filmes dirigidos por Michelangelo Antonioni, com o objetivo de delinear e experimentar maneiras de ...
Solange Puntel Mostafa   +2 more
doaj   +1 more source

„¿Es bonito, verdad?”. „Zawód: reporter” jako transcendencja pozioma

open access: yesKwartalnik Filmowy, 2016
Wbrew typowym egzystencjalistycznym i formalistycznym interpretacjom filmu Zawód: reporter autor argumentuje, że jądrem tego dzieła jest scena ukazująca czystą przemoc polityczną, która jest nierozerwalnie związana ze słynnym przedostatnim ujęciem ...
Sławomir Masłoń
doaj   +1 more source

Zasada Antonioniego

open access: yesKwartalnik Filmowy, 2001
Tekst jest polemiką z artykułem Mateusza Kanabrodzkiego Pani buduaru krzywych zwierciadeł opublikowanym w „Kwartalniku Filmowym” 2000, nr 31-32.
Piotr Lachmann
doaj   +1 more source

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