Results 21 to 30 of about 496 (173)
L’Avventura: Emotions, engagement and inconclusiveness of an experimental plot
Cogent Arts & Humanities, 2018 This article examines Michelangelo Antonioni’s L’Avventura offering a new discussion of its narrative value, exploring the role of emotions and cognition in narrative, and their interaction.
Héctor J. Pérez, Fernando Canet
doaj +1 more source
Cuadernos de Filología Italiana, 2012 Contributo critico alla ricezioni di Tra donne sole di Pavese e Le amiche di Michelangelo Antonioni.
Vittoria Foti
doaj +1 more source
Sur deux heureuses apocalypses
Italies, 2021 La frontière entre utopie et illusion est souvent envisagée d’un point de vue idéologique, rarement du point de vue formel. Nous nous proposons d’étudier deux œuvres concomitantes d’Elsa Morante et de Michelangelo Antonioni (Il mondo salvato dai ...
Marie Fabre
doaj +1 more source
Adorno, Antonioni e Deleuze: um encontro inesperado
Revista Contracampo, 2005 Este texto retoma as reivindições tardias de Adorno quanto ao caráter emancipador do filme (ao confrontar o sistema da indústria cultural) e as põe em diálogo com as ideeias de Antonioni e Deleuze acerca do cinema moderno.
César Guimarães
doaj +1 more source
Tempo Social, 2000 Este artigo analisa o filme Blow Up de Michelangelo Antonioni, buscando compreender como o seu discurso visual questiona a relação entre real e imaginário.
Paulo Menezes
doaj +1 more source
The Nearly Forgotten Futures of Acid Communism: Foucault and Antonioni at Zabriskie Point
KrisisWith a focus on the 1970s—in particular, narratives recounting Michel Foucault’s 1975 LSD experience at Zabriskie Point in Death Valley, as well as Michelangelo Antonioni’s 1970 film Zabriskie Point—this article seeks to recover any politically or ...
Todd Landon Barnes
doaj +1 more source
Subsistence Through Disappearance: Theology of the Unseen in the Films of Michelangelo Antonioni
Future Humanities, Volume 4, Issue 1, May 2026.ABSTRACT The present study contends that the theology of Michelangelo Antonioni's 1960s cinema is structured by a reductio ad absurdum logic, whereby the presence of certain qualities is proven by the portrayal of their absence. It is argued that Antonioni's intention to show what is by specifying what is not may have been rooted in a modernist ...
Vuk Uskoković
wiley +1 more source
Network fluctuations hinder cooperation in evolutionary games. [PDF]
PLoS ONE, 2011 In this paper we study the influence of random network fluctuations on the behavior of evolutionary games on Barabási-Albert networks. This network class has been shown to promote cooperation on social dilemmas such as the Prisoner's Dilemma and the ...
Alberto Antonioni, Marco Tomassini
doaj +1 more source
Brand placement o co-branding? Celebrities e attività di promozione nei film Zoolander 1 e 2
ZoneModa Journal, 2017 Brands’ promotional strategies are shifting towards liminal areas because their main strategic object seems to be, nowadays, hiding their original purpose and making difficult, for the audience, to avoid a content that is not so easy to classify as ...
Stefania Antonioni
doaj +1 more source
Doppio framing, indugi e soglie narrative
Recherches, 2020 Le concept de double framing est lié à celui de champ (visuel, cinématographique ou narratif). Il s’agit d’un cadre qui n’est pas nécessairement physique, mais qui touche autant l’auteur que le spectateur/lecteur d’une œuvre et qui l’oblige à se ...
Cecilia Monina
doaj +1 more source