Results 11 to 20 of about 2,761 (159)
Brand placement o co-branding? Celebrities e attività di promozione nei film Zoolander 1 e 2 [PDF]
ZoneModa Journal, 2017 Brands’ promotional strategies are shifting towards liminal areas because their main strategic object seems to be, nowadays, hiding their original purpose and making difficult, for the audience, to avoid a content that is not so easy to classify as ...
Stefania Antonioni
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Indústrias Culturais, 2007 Ontem, foi Bergman; hoje foi o cineasta Michelangelo Antonioni que morreu. Nascera em 1912. Tendo começado a filmar em 1943, dele lembro, entre outros, Deserto vermelho (1964), Blow up (1966), Profissão: repórter (1975) (vi-o há muito pouco tempo)
Rogério Santos
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Much More than a Narrative Genre: Theoretical and Research Perspectives on Medical Drama [PDF]
, 2023 The book explores the sustained interest on medical drama TV series research encompassing various methods and approaches and offering a wide range of perspectives.
Antonioni, Stefania, Rocchi, Marta
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HR practices and work relationships: A 20 year review of relational HRM research
Human Resource Management, Volume 62, Issue 4, Page 391-412, July/August 2023., 2023 Abstract We systematically reviewed quantitative studies of phenomena at the nexus of Human Resource Management (HRM) and interpersonal relationships. We report on the overall prevalence and trends in research methods relating to construct, internal, external, and statistical conclusion validity.
Anindita Roy Bannya +2 more
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Inventaire des plateaux de Michelangelo Antonioni
Photographica, 2023 This paper presents an inventory that organizes data on the still photographers of Michelangelo Antonioni’s films of the 1950s and 1960s, from L’Avventura to Blow-Up.
Stella Scabelli
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¿Está dirigido el 'Arte Nuevo' a una minoría especialmente dotada? El caso de Michelangelo Antonioni
Fotocinema: Revista Científica de Cine y Fotografía, 2010 El artículo trata de reflexionar sobre aquellos cambios que se producen en la recepción de los filmes de Michelangelo Antonioni por parte de un espectador al que, como receptor de películas hollywoodienses, principalmente, se le exige con este otro cine,
Ana MELENDO CRUZ
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Dalla Cina con rigore. Chung Kuo di Michelangelo Antonioni (molti?) anni dopo
Altre Modernità, 2009 Dalla Cina con rigore.
Paolo Caponi
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L’Avventura: Emotions, engagement and inconclusiveness of an experimental plot
Cogent Arts & Humanities, 2018 This article examines Michelangelo Antonioni’s L’Avventura offering a new discussion of its narrative value, exploring the role of emotions and cognition in narrative, and their interaction.
Héctor J. Pérez, Fernando Canet
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Cuadernos de Filología Italiana, 2012 Contributo critico alla ricezioni di Tra donne sole di Pavese e Le amiche di Michelangelo Antonioni.
Vittoria Foti
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Sur deux heureuses apocalypses
Italies, 2021 La frontière entre utopie et illusion est souvent envisagée d’un point de vue idéologique, rarement du point de vue formel. Nous nous proposons d’étudier deux œuvres concomitantes d’Elsa Morante et de Michelangelo Antonioni (Il mondo salvato dai ...
Marie Fabre
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