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ANTONOMASIA AS THE REFLECTION OF COGNITIVE PROCESSES
The article deals with the analysis of antonomasia from the perspective of cognitive stylistics, cultural linguistics and linguopragmatics. Opposing to the structural viewpoint that analyzed stylistic devices as the elements of figurative speech only, cognitive approach opened a new concept in the exploration of the later ones as the results of complexopenaire +1 more source
The Cowboys, the Poets, the Professor... – Antonomasia in Croatian Sports Discourse
2013News style (or journalistic style) relies on the frequent use of tropes, especially metaphors and metonymies. Previous research concerning Croatian newspapers (Ivas, 2004 ; Runjić-Stoilova, 2012) showed that antonomasia is also a very frequent trope both in the headlines and in the body of journal articles.
Grgić, Ana, Nikolić, Davor
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Painting the Muses, from allegory to antonomasia.
Entre le XVe et le XVIIIe siècle, les représentations en peinture des Muses allégoriques et antonomastiques composent par leur polysémie un discours sur la musique, la poésie, mais aussi les arts du disegno.Les Fables des Muses survivent et parviennent transformées. Les peintres modernes s’inspirent ainsi d’un mythe enrichi par la théorie de la musiqueopenaire +1 more source
Le Officine: la fabbrica per antonomasia del borgo
2011Storia delle Officine Ferroviarie torinesi e della loro influenza sul quartiere di ...
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Tanaquil(la), la donna etrusca per antonomasia
The Etruscan name Θanχvil can be a perfect match to Latin fēmina through Lydian diachronic ...openaire +1 more source
2021
A differenza degli scritti ideologici del Dostoevskij-pubblicista, connotati da posizioni conservative o reazionarie, l’opera dell’artista-narratore è propriamente ‘rivoluzionaria’ sul piano tematico, diegetico, stilistico: la voce autoriale si scinde, lasciando ogni personaggio libero di esprimere.
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A differenza degli scritti ideologici del Dostoevskij-pubblicista, connotati da posizioni conservative o reazionarie, l’opera dell’artista-narratore è propriamente ‘rivoluzionaria’ sul piano tematico, diegetico, stilistico: la voce autoriale si scinde, lasciando ogni personaggio libero di esprimere.
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