Results 71 to 80 of about 16,866 (228)

El apocalipsis doméstico: El fin del mundo según Jaume Balagueró

open access: yesAltre Modernità, 2013
Jaume Balagueró's cinematography is directly connected with Adam Parfrey´s  concept of "Apocalypse Culture". It is a very personal vision of the end of the world in everyday life context.
Milagros Expósito Barea   +1 more
doaj   +1 more source

‘It's Like a Horror Movie That You Walk Through’: Experiencing Horror Through Immersive Recreation

open access: yesThe Journal of American Culture, EarlyView.
ABSTRACT Horror stories have provided enjoyable forms of leisure for centuries. Over the past five decades, however, these experiences have evolved into increasingly immersive forms of popular culture. What once involved constructing the narrative world internally through reading has expanded into sensory engagement through visual and auditory media ...
Susan Weidmann
wiley   +1 more source

Pastoralne przesłanie komentarza św. Cezarego z Arles do Apokalipsy św. Jana

open access: yesVox Patrum, 2018
The article discusses the commentary of St. Caesarius of Arles on the Apocalypse of St. John. The bishop of Arles wrote his commentary on the basis of the Ticonius’s study.
Paweł Wygralak
doaj   +1 more source

The Four Horsemen of the Apocalypse

open access: yesDisintegration: Bad Love, Collective Suicide, and the Idols of Imperial Twilight, 2019
“...The literal, chronological application of the Four Horsemen of the Apocalypse (Revelation 6:1-8) when properly understood as the prelude to Daniel’s Seventieth Week (Daniel 9:27).
M. B. Brown
semanticscholar   +1 more source

Zoonotic anxieties: The cultural politics of Nepal's quest for pandemic preparedness

open access: yesMedical Anthropology Quarterly, EarlyView.
Abstract Based on fieldwork conducted in Nepal (2022–2024) and by paying attention to how local and transnational notions of epidemiological risk are deployed, this ethnography introduces the concept of “zoonotic anxieties” to make sense of the multi‐species relational ethos that contemporary global health regimes propose.
Max D. López Toledano   +3 more
wiley   +1 more source

The Representational Impasse of Post-Apocalyptic Fiction: The Pesthouse by Jim Crace

open access: yesAltre Modernità, 2013
Jim Crace’s The Pesthouse (2007) provides the ideal springboard for a discussion about the apocalypse and representation because the event remains unspecified, a gap in the story, suggesting the presence of epistemological limits.
Diletta De Cristofaro
doaj   +1 more source

Becoming Dostoevsky (how Rowan Williams opens up Bakhtin)

open access: yesModern Theology, EarlyView.
Abstract With the end of Communism in Russia, non‐materialist contexts were enthusiastically restored to Mikhail Bakhtin's globally famous ideas of carnival, dialogism, and polyphony. This essay surveys Rowan Williams's 2008 study Dostoevsky: Language, Faith + Fiction as a major contribution to this effort, concentrating on those general philosophical ...
Caryl Emerson
wiley   +1 more source

Reading Nietzsche in an Age of Conspiracy Theories

open access: yesModern Theology, EarlyView.
Abstract This essay considers Friedrich Nietzsche's critique of Christian morality as a template for interpreting the epistemology of modern conspiracy theorists. The first section elucidates Nietzsche's notion of ressentiment as it can be applied to contemporary conspiracism. The effectiveness of this comparative assessment thus raises the question of
J.W. Olson
wiley   +1 more source

Jünger\Céline. Sulla Catastrofe [PDF]

open access: yesS&F_scienzaefilosofia.it, 2012
In their works Jünger and Céline – a part from their meetings in Paris – have always dealt with the theme of the catastrophe, even in terms of apocalypse.
Leggiero, Gianluca
doaj  

‘Liberation’ of ‘Younger Brothers’ or Genocide of Subhumans? Genocidal Discourses on Ukrainians in Putin's Regime

open access: yesNations and Nationalism, EarlyView.
ABSTRACT This article explores Russia's genocidal discourses on Ukrainians, focusing on the predominant narrative that frames cultural genocide as the ‘liberation’ of Ukrainians through the erasure of their cultural identity. Existing literature tends to overlook this form of genocidal discourse, which diverges from typical ‘othering’ by instead ...
Martin Laryš
wiley   +1 more source

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