Results 21 to 30 of about 370 (114)

Experiencing Sounds in Ancient Spaces: An Overview

open access: yesRevista do Museu de Arqueologia e Etnologia, 2023
This paper aims to analyse recent studies which have raised new hypotheses concerning archaeomusicology, archaeoacoustics, and aural architecture as an emerging trend in humanities research, with a particular focus on the intersection of musical ...
Angela Bellia
doaj   +1 more source

Archaeoacoustic Analysis of the Hal Saflieni Hypogeum in Malta [PDF]

open access: yesJournal of Anthropology and Archaeology, 2015
Recently we studied the acoustic properties of the underground Ħal Saflieni Hypogeum in Malta. Identified as “architecture in the negative”, it is a unique prehistoric complex, intentionally sculpted with features that mirror megalithic temples above ground. It is known that the Hypogeum was used in the Neolithic not only as a depository for bones, but
DEBERTOLIS, PAOLO   +2 more
openaire   +3 more sources

Creation of Functional Replica Roman and Late Antique Musical Instruments through 3D Scanning and Printing Technology, and their use in research and museum education

open access: yesInternet Archaeology, 2021
Replica artefacts are a well-established feature of Roman archaeology, particularly as used in experimental archaeology, by re-enactors, and in museum education.
Ellen Swift   +8 more
doaj   +1 more source

Archaeoacoustics Analysis and Ceremonial Customs in an Ancient Hypogeum

open access: yes, 2013
The archeaoacoustic properties and the historical rituals of two ancient underground hypogea were compared. The first in Malta is more widely known and researched; the second in Italy has been studied by SB Research Group (SBRG) and presents some similarities to the Maltese hypogeum.
DEBERTOLIS, PAOLO, BISCONTI, NICCOLO'
openaire   +3 more sources

Archaeoacoustic Examination of Lazarica Church [PDF]

open access: yesAcoustics, 2019
The acoustic analysis provides additional information on building tradition and related indoor practice that includes sound, thus deepening our understanding of architectural heritage. In this paper, the sound field of the Orthodox medieval church Lazarica (Kruševac city, Serbia) is examined.
Đorđević, Zorana   +2 more
openaire   +1 more source

An archaeoacoustic study on shape: the case study of the Iffland Theatre’s history (1802–1817)

open access: yesActa Acustica, 2023
Previous studies have discussed six pre-Sabine quantifiable guidelines employed in room acoustic design: voice directivity, audience rake, “echo theory”, stage acoustics, reverberation, and length, width, and height ratios.
Postma Barteld N.J., Katz Brian F.G.
doaj   +1 more source

Preserving Human Perspectives in Cultural Heritage Acoustics: Distance Cues and Proxemics in Aural Heritage Fieldwork

open access: yesAcoustics, 2021
We examine the praxis implications of our working definition of aural heritage: spatial acoustics as physically experienced by humans in cultural contexts; aligned with the aims of anthropological archaeology (the study of human life from materials ...
Miriam A. Kolar   +2 more
doaj   +1 more source

The Bacinete Main Shelter: A Prehistoric Theatre?

open access: yesAcoustics, 2023
In the last few years, archaeoacoustic studies of rock art sites and landscapes have undergone significant growth as a result of renewed interest in the intangible aspects of the archaeological record.
Lidia Alvarez-Morales   +5 more
doaj   +1 more source

Ringing Tone and Drumming Sages in the Crevice Cave of Pirunkirkko, Koli, Finland

open access: yesOpen Archaeology, 2023
Pirunkirkko (“Devil’s Church”) is one of the famous caves in Finland. Tradition says that this crevice leading into the mountain was a meeting place for sages, who typically used sound to contact the spirit world.
Rainio Riitta, Hytönen-Ng Elina
doaj   +1 more source

Towards a Digital Approach to the Listening to Ancient Places

open access: yesHeritage, 2021
This paper aims to investigate digital heritage and acoustical techniques for exploring sonic heritage of archaeological sites and performative spaces.
Angela Bellia
doaj   +1 more source

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