Results 41 to 50 of about 692 (148)
Replica artefacts are a well-established feature of Roman archaeology, particularly as used in experimental archaeology, by re-enactors, and in museum education.
Ellen Swift +8 more
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Sound archaeology: terminology, Palaeolithic cave art and the soundscape [PDF]
This article is focused on the ways that terminology describing the study of music and sound within archaeology has changed over time, and how this reflects developing methodologies, exploring the expectations and issues raised by the use of differing ...
Arias P. +41 more
core +1 more source
We examine the praxis implications of our working definition of aural heritage: spatial acoustics as physically experienced by humans in cultural contexts; aligned with the aims of anthropological archaeology (the study of human life from materials ...
Miriam A. Kolar +2 more
doaj +1 more source
Ringing Tone and Drumming Sages in the Crevice Cave of Pirunkirkko, Koli, Finland
Pirunkirkko (“Devil’s Church”) is one of the famous caves in Finland. Tradition says that this crevice leading into the mountain was a meeting place for sages, who typically used sound to contact the spirit world.
Rainio Riitta, Hytönen-Ng Elina
doaj +1 more source
Towards a Digital Approach to the Listening to Ancient Places
This paper aims to investigate digital heritage and acoustical techniques for exploring sonic heritage of archaeological sites and performative spaces.
Angela Bellia
doaj +1 more source
The Acoustics of the Choir in Spanish Cathedrals [PDF]
One of the most significant enclosures in worship spaces is that of the choir. Generally, from a historical point of view, the choir is a semi-enclosed and privileged area reserved for the clergy, whose position and configuration gives it a private ...
Alonso Carrillo, Alicia +2 more
core +1 more source
Stolen Voices Is a Slowly Unfolding Eavesdrop on the East Coast of the UK [PDF]
Stolen Voices is a research enquiry that uses listening as both methodology and material. Stolen Voices develops techniques for ‘listening in’ and eavesdropping to help articulate an epistemology of place through sonic frameworks.
Arendt +35 more
core +3 more sources
Forscher aus den Disziplinen Prähistorische Archäologie, Vorderasiatische Archäologie, Alte Geschichte, Klassische Archäologie, Ägyptologie, Musikarchäologie und Ethnologie untersuchen im Rahmen der Research Area C-III die Konstruktion sakraler ...
Dally, Ortwin +4 more
core +1 more source
User-guided rendering of audio objects using an interactive genetic algorithm [PDF]
Object-based audio allows for personalisation of content, perhaps to improve accessibility or to increase quality of experience more generally. This paper describes the design and evaluation of an interactive audio renderer, which is used to optimise ...
Fazenda, BM, Wilson, AD
core +2 more sources
Distant echoes: evoking the soundscapes of the past in the radio documentary series Noise: a human history [PDF]
This article asks whether radio can ever successfully evoke an accurate sense of the sound of the past. It does so through a reflective critical analysis of the 2013 BBC Radio 4 documentary series, Noise: A Human History, by its own writer and presenter.
Adamson P. +18 more
core +1 more source

