Results 161 to 170 of about 3,990 (218)
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Bulletin of Hispanic Studies, 1962
Discussing Garcilaso's second eclogue in a paper I wrote some years ago, I suggested that the Orlando Furioso, “esa epica de la filosofia del amor y de las armas, fue la inspiracion de Garcilaso, o mas bien lo que le ayudo a cristalizar en forma poetica su propia experiencia”. I think it may be worth while explaining what I meant.
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Discussing Garcilaso's second eclogue in a paper I wrote some years ago, I suggested that the Orlando Furioso, “esa epica de la filosofia del amor y de las armas, fue la inspiracion de Garcilaso, o mas bien lo que le ayudo a cristalizar en forma poetica su propia experiencia”. I think it may be worth while explaining what I meant.
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, 2008 Ampia monografia completa su Ariosto, con interpretazione di tutte le opere, corredata di tutti i dati filologici e storici. Large complete monograph on Ariosto, with interpretation of all the works, accompanied by all the philological and historical data.
FERRONI, Giulio +1 more
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, 2014 Voce sui rapporti fra Ludovico Ariosto e Niccolò Machiavelli, con proposte inedite.
CASADEI, ALBERTO
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, 2004 Profilo critico relativo a Ludovico Ariosto e scelta antologica commentata.
MASI, GIORGIO
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, 2006 Analysis and interpretation of Ludovico Ariosto's life and ...
CASADEI, ALBERTO
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Italianistica : rivista di letteratura italiana : XLV, 2, 2016, 2016
Il saggio mette in parallelo due capolavori della cultura primo cinquecentesca (Il Cortegiano e l'Orlando furioso) e ne individua i punti di contatto sul piano interdiscorsivo e ...
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Il saggio mette in parallelo due capolavori della cultura primo cinquecentesca (Il Cortegiano e l'Orlando furioso) e ne individua i punti di contatto sul piano interdiscorsivo e ...
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2019
How did Milton read Ariosto? The standard account holds that he admired Orlando Furioso in his youth and dismissed it in his maturity, rejecting chivalric romance in Paradise Lost as ‘the skill of artifice or office mean’. This essay revisits the question. It finds a stronger and more positive connection between the Furioso and Paradise Lost in the two
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How did Milton read Ariosto? The standard account holds that he admired Orlando Furioso in his youth and dismissed it in his maturity, rejecting chivalric romance in Paradise Lost as ‘the skill of artifice or office mean’. This essay revisits the question. It finds a stronger and more positive connection between the Furioso and Paradise Lost in the two
openaire +1 more source
2011
Ludovico Ariosto (b. 1474–d. 1533), whose work links 15th-century humanism with the vernacular classicism that burgeoned later in the 16th century, is a crucial figure in the development of Italian Renaissance literary culture. An accomplished Neo-Latin poet whose earliest letter is a request for books on Platonism from the Venetian publisher Aldus ...
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Ludovico Ariosto (b. 1474–d. 1533), whose work links 15th-century humanism with the vernacular classicism that burgeoned later in the 16th century, is a crucial figure in the development of Italian Renaissance literary culture. An accomplished Neo-Latin poet whose earliest letter is a request for books on Platonism from the Venetian publisher Aldus ...
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2022
To many readers of Orlando Furioso, Ariosto appears to be essentially disinterested in religious matters, a poet who thinks religion and morality should be kept away from literary creation. However, in this paper I will argue that Ariosto, far from being a-religious, or even un-Christian, was deeply engaged with contemporary religious debates.
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To many readers of Orlando Furioso, Ariosto appears to be essentially disinterested in religious matters, a poet who thinks religion and morality should be kept away from literary creation. However, in this paper I will argue that Ariosto, far from being a-religious, or even un-Christian, was deeply engaged with contemporary religious debates.
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2022
Catalogo degli autografi noti di Ludovico Ariosto, preceduto da una introduzione storico-critica e seguito da una descrizione paleografica della scrittura ...
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Catalogo degli autografi noti di Ludovico Ariosto, preceduto da una introduzione storico-critica e seguito da una descrizione paleografica della scrittura ...
openaire +3 more sources