Results 1 to 10 of about 279,975 (211)

Arnold Schönberg’s and Alban Berg’s Personal Libraries as a Source of Study of Artistic Biographies

Современные проблемы музыкознания, 2023
Composers’ personal libraries began to be the objects of research relatively recently, only about a hundred years ago. Meanwhile, it presents a valuable source for research of composers’ artistic biographies, which bears the imprint of the ...
Yulia S. Veksler
doaj   +2 more sources

Tal Vez no Sepa Vd. que yo también Pinto. Arnold Schönberg

BRAC, 2018
Este artículo hace referencia al trabajo de Arnold Schönberg1 (1874-1951) como pintor, faceta poco conocida, pero si difundida a través de excelentes exposiciones, tanto en vida como póstumamente. La última Arnold Schönberg.
Carlos Velilla
doaj   +4 more sources

ARNOLD SCHÖNBERG’S RECORD COLLECTION AT THE ARNOLD SCHÖNBERG CENTER, WIEN [PDF]

Studia Universitatis Babeş-Bolyai. Musica
This paper examines Arnold Schönberg’s record collection, held at the archives of the Arnold Schönberg Center. Transferred by the Austrian Media Library, it is now successively made available through the audio database of the Arnold Schönberg Center ...
Eike FEß
doaj   +3 more sources

MUSIC AS SILENCE: SCHÖNBERG, NONO, AND THE POLITICS OF EXPERIENCE [PDF]

Studia Universitatis Babeş-Bolyai. Musica
Arnold Schönberg and Luigi Nono stand as emblems for a certain sort of difficulty in music, a difficulty charted by Schönberg himself in his essay, “How One Becomes Lonely.”[1] But this “difficulty” may have a purpose for us, at this time, either ...
Peter NELSON
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Urlinie und Zwölftonreihe als Zeitgenossinnen [PDF]

Zeitschrift der Gesellschaft für Musiktheorie, 2021
Mit Blick auf die konträren Positionen ihrer Autoren scheinen Urlinie und Zwölftonreihe – zwei Konzepte, die beide in die frühen 1920er Jahren datieren – eher die Gleichzeitigkeit des Ungleichzeitigen als so etwas wie Zeitgenossenschaft zu dokumentieren.
Martin Eybl
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VOCAL DIALECT IN THE COMPOSITIONS OF THE SECOND VIENNESE SCHOOL [PDF]

Studiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2021
Th e music of the twentieth century, especially the vocal music, was marked in its evolution by the changes perfected by Arnold Schönberg, who succeeded in capturing the trends of the time – primarily through his 1912 work, Pierrot Lunaire, which became ...
BADIU-AVRAM, IOANA
doaj  

L’imaginaire du dodécaphonisme sériel. Du « Docteur Faustus » au début du XXIe siècle

Captures, 2023
Dans son roman Le Docteur Faustus, Thomas Mann associe le diable à l’invention du dodécaphonisme sériel par le biais d’un compositeur fictif, Adrian Leverkühn. Arnold Schönberg, inventeur réel de cette technique de composition, a craint que cette fiction
Stewen Corvez
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Die glückliche Hand de Arnold Schönberg: Una re-composición electroacústica

Itamar, revista de investigación musical. Territorios para el arte, 2023
En este artículo sostengo que la consideración de la obra de arte como un valor absoluto no es una fatalidad sino que el arte, como producción humana, se encuentra sometido a la misma relatividad en el tiempo que su o sus creadores. En cuanto a la música,
Ricardo Mandolini
semanticscholar   +1 more source

Harmonia

Cadernos de Filosofia Alemã, 2002
Schonberg, Arnold. Tradução de Marden Maluf. São Paulo, UNESP, 2001.
Rúrion Soares Melo
doaj   +1 more source

Paloma Ortiz-de-Urbina (ed.), Arnold Schönberg und Roberto Gerhard: Briefwechsel, Berna, Peter Lang, 2019

Matèria. Revista internacional d'Art, 2021
Reseña del libro Paloma Ortiz-de-Urbina (ed.), Arnold Schönberg und Roberto Gerhard: Briefwechsel, Berna, Peter Lang, 2019.
Diego Civilotti García
semanticscholar   +1 more source