Results 1 to 10 of about 8,276 (173)

ARNOLD SCHÖNBERG’S RECORD COLLECTION AT THE ARNOLD SCHÖNBERG CENTER, WIEN [PDF]

Studia Universitatis Babeş-Bolyai. Musica
This paper examines Arnold Schönberg’s record collection, held at the archives of the Arnold Schönberg Center. Transferred by the Austrian Media Library, it is now successively made available through the audio database of the Arnold Schönberg Center ...
Eike FEß
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MUSIC AS SILENCE: SCHÖNBERG, NONO, AND THE POLITICS OF EXPERIENCE [PDF]

Studia Universitatis Babeş-Bolyai. Musica
Arnold Schönberg and Luigi Nono stand as emblems for a certain sort of difficulty in music, a difficulty charted by Schönberg himself in his essay, “How One Becomes Lonely.”[1] But this “difficulty” may have a purpose for us, at this time, either ...
Peter NELSON
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Urlinie und Zwölftonreihe als Zeitgenossinnen [PDF]

Zeitschrift der Gesellschaft für Musiktheorie, 2021
Mit Blick auf die konträren Positionen ihrer Autoren scheinen Urlinie und Zwölftonreihe – zwei Konzepte, die beide in die frühen 1920er Jahren datieren – eher die Gleichzeitigkeit des Ungleichzeitigen als so etwas wie Zeitgenossenschaft zu dokumentieren.
Martin Eybl
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Arnold Schönberg’s and Alban Berg’s Personal Libraries as a Source of Study of Artistic Biographies

Современные проблемы музыкознания, 2023
Composers’ personal libraries began to be the objects of research relatively recently, only about a hundred years ago. Meanwhile, it presents a valuable source for research of composers’ artistic biographies, which bears the imprint of the ...
Yulia S. Veksler
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Tal Vez no Sepa Vd. que yo también Pinto. Arnold Schönberg

BRAC, 2018
Este artículo hace referencia al trabajo de Arnold Schönberg1 (1874-1951) como pintor, faceta poco conocida, pero si difundida a través de excelentes exposiciones, tanto en vida como póstumamente. La última Arnold Schönberg.
Carlos Velilla
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VOCAL DIALECT IN THE COMPOSITIONS OF THE SECOND VIENNESE SCHOOL [PDF]

Studiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2021
Th e music of the twentieth century, especially the vocal music, was marked in its evolution by the changes perfected by Arnold Schönberg, who succeeded in capturing the trends of the time – primarily through his 1912 work, Pierrot Lunaire, which became ...
BADIU-AVRAM, IOANA
doaj  

L’imaginaire du dodécaphonisme sériel. Du « Docteur Faustus » au début du XXIe siècle

Captures, 2023
Dans son roman Le Docteur Faustus, Thomas Mann associe le diable à l’invention du dodécaphonisme sériel par le biais d’un compositeur fictif, Adrian Leverkühn. Arnold Schönberg, inventeur réel de cette technique de composition, a craint que cette fiction
Stewen Corvez
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Harmonia

Cadernos de Filosofia Alemã, 2002
Schonberg, Arnold. Tradução de Marden Maluf. São Paulo, UNESP, 2001.
Rúrion Soares Melo
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The speech choir in central European theatres and literary-musical works in the first third of the 20th century [PDF]

Muzikologija, 2015
Speech choirs emerged as an offshoot of the choral gatherings of a wider youth musical and singing movement in the first half of the 20th century. The occasionally expressed opinion that choral speaking was cultivated primarily by the Hitler ...
Meyer-Kalkus Reinhart
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Schubert and Beethoven - Adorno’s early antipods of the music in bougeois epoch [PDF]

Filozofija i Društvo, 2012
In this article the authors are reconstructing the dichotomies which the young Theodor Adorno was trying to detect in the music of the bourgeois epoch and personify in two antipodes - Franz Schubert and Ludwig van Beethoven. Although already a devotee
Jeremić-Molnar Dragana, Molnar Aleksandar   +1 more
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