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Austriaca, 1977
Schoenberg Arnold. Arnold Schoenberg : Textes. In: Austriaca : Cahiers universitaires d'information sur l'Autriche, n°5, 1977. Vie et création musicales. pp. 45-55.
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Schoenberg Arnold. Arnold Schoenberg : Textes. In: Austriaca : Cahiers universitaires d'information sur l'Autriche, n°5, 1977. Vie et création musicales. pp. 45-55.
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ARNOLD SCHOENBERG AND THE THEATER
The Musical Quarterly, 1962IN SHARP contrast to Gustav Mahler, whom he so highly admired, Schoenberg almost never during his lifetime had a professional connection with the theater. Mahler was a lifelong conductor, almost always of opera; Schoenberg was a lifelong teacher of composition and theory.
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Arnold Schoenberg and the Language of Music
Perspectives of New Music, 1975"Music," said Boris de Schloezer, "is a language which expresses nothing beyond itself." One could relate this assertion to the statement of Maurice Denis, for whom painting was essentially "a flat surface covered with diversely colored shapes." Both statements reflect the difficulty that confronts any artist in speaking of his art when it is ...
Michel P. Philippot, Marcelle Clements
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2003
Abstract I mourn the death of Schoenberg. Every serious composer today has felt the effect of his courage, single-mindedness, and determination, and has profited by the clarity of his teaching. The world is a poorer place now this giant is no more. Source: ‘Obituary: Arnold Schoenberg’, Music Survey 4/J (Oct. 1951), 314.
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Abstract I mourn the death of Schoenberg. Every serious composer today has felt the effect of his courage, single-mindedness, and determination, and has profited by the clarity of his teaching. The world is a poorer place now this giant is no more. Source: ‘Obituary: Arnold Schoenberg’, Music Survey 4/J (Oct. 1951), 314.
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The Musical Quarterly, 1936
OUNG Schoenberg descended from Brahms. The relationship, however, was not one of blood, or spirit, or personal contact. It was a musical kinship, natural enough, which showed in Schoenberg's earliest compositions. But when fate endows a composer with genius, it lays upon him the burden of leading his art onward, of venturing into realms unexplored by ...
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OUNG Schoenberg descended from Brahms. The relationship, however, was not one of blood, or spirit, or personal contact. It was a musical kinship, natural enough, which showed in Schoenberg's earliest compositions. But when fate endows a composer with genius, it lays upon him the burden of leading his art onward, of venturing into realms unexplored by ...
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A Letter from Arnold Schoenberg
Journal of the American Musicological Society, 1953in the field of musical theory. But in the present case, the conditions do not seem to have been quite "ordinary." For the purely technical comments on my part have elicited a reply from a man who, among other gifts, had an amazing knack for turning the most abstruse and even admittedly "dry" subjects into vibrant and burning issues that would concern ...
Arnold Schoenberg, Joseph Yasser
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The Theoretical Writings of Arnold Schoenberg
Proceedings of the Royal Musical Association, 1973In his life-time Schoenberg published, apart from important essays which must be the subject of separate evaluation, one major theoretical work, the Harmonielehre of 1911, and another, Structural Functions of Harmony, completed in 1946, appeared shortly after his death, in 1954.
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Arnold Schoenberg and the Cinematic Art
The Musical Quarterly, 1999When Schoenberg and film are discussed, one event is always mentioned: the meeting between Schoenberg and Irving Thalberg, the celebrated young producer at the Hollywood film studio Metro-GoldwynMayer. The encounter took place at MGM's studios in November 1935 regarding the filming of Pearl S. Buck's novel The Good Earth.
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