Results 11 to 20 of about 271 (170)

Gender and Artistic Creativity: The Perspectives and Experiences of Eminent Female Visual Artists

The Journal of Creative Behavior, Volume 57, Issue 4, Page 622-649, December 2023., 2023
ABSTRACT The historically male‐dominated discourse encompassing artistic creativity has often failed to acknowledge the voices and contributions of women. Female artists continue to face barriers in terms of accessing opportunities, attaining positions of prominence, and earning potential, in comparison with their male counterparts.
Katrina Ginis, Sandra Elizabeth Stewart, Leonie Kronborg   +2 more
wiley   +1 more source

Indirect dating of secondary cave burials in the Massim region of Papua New Guinea reveals last millennium reorganisation of social practices

Archaeology in Oceania, Volume 58, Issue 3, Page 296-313, October 2023., 2023
ABSTRACT In the Massim Island region of southeastern Papua New Guinea secondary interment of skeletal remains was widely practiced historically, but its social context and regional expression in the deeper past remains uncertain. In this paper the chronology of secondary burial on Panaeati Island is established indirectly by reconstructing the cultural
Zali Boyd, Ben Shaw
wiley   +1 more source

Art contemporain arabe [PDF]

Transcontinentales, 2012
Encore considérée comme émergente, la scène artistique en provenance du monde arabe a précédé ce qui est communément appelé « le printemps arabe ». En effet, c’est à partir des années 2005-2006 que les artistes arabes contemporains ont fait une entrée plus marquée dans un marché de l’art en voie de globalisation.
openaire   +1 more source

Art et archives: une perspective archivistique

Encontros Bibli, 2009
Bien que les artistes contemporains aient été nombreux depuis la fin des années 1980 à utiliser des documents d’archives dans leurs travaux, le phénomène a été peu étudié jusqu’ici par les archivistes.
Yvon Lemay
doaj   +1 more source

Art contemporain et internationalisation [PDF]

Sociologie et sociétés, 2004
Divers éléments indiquent que la mondialisation du marché de l’art favorise la reconfiguration territoriale du monde international de l’art contemporain en quelques grands marchés régionaux, autour des deux pôles que forment l’Europe et les États-Unis.
Fournier, Marcel, Roy-Valex, Myrtille
openaire   +2 more sources

Glisser - petite topographie du geste en milieu fluide

Appareil, 2011
En regard de quelques œuvres contemporaines qui font appel à la glissade à divers titres, ce texte se propose d’interroger ce que serait un geste en milieu fluide.
Charlotte Serrus
doaj   +1 more source

The First World War at Sea: Death, Commemoration and Cultural Remembrance

History, EarlyView.
Abstract Despite the ever‐increasing body of work devoted to war memorials, national days of remembrance and the commemoration of the First World War in Britain, academic focus remains firmly on the commemoration of the First World War on land. Yet, while the number of people who died at sea paled in comparison to their counterparts on the battlefield ...
ROWAN THOMPSON
wiley   +1 more source

Art ornemental, art environnemental : au-delà ou en deçà de l’image (art médiéval, art contemporain)

Images Re-Vues, 2012
We propose a kind of archaeology of some paradigms that have been at work in contemporary art since the middle of the 20th century — paradigms of which Matisse’s ornamental vitalism has been the great initiator.
Jean-Claude Bonne
doaj   +1 more source

Jacques Maritain, Maurice Blondel, and the Ends of Art

Modern Theology, EarlyView.
Abstract This article reconsiders Jacques Maritain's philosophical poetics by situating it within his longstanding debate with Maurice Blondel over the nature and unity of intellect. I argue that Maritain's influential defence of artistic autonomy, first articulated in Art et scolastique (1920), is ultimately unsound.
Steven Toussaint
wiley   +1 more source

Toward a “strong” normativity of fear in Hans Jonas and Aristotle

The Southern Journal of Philosophy, EarlyView.
Abstract What does it mean to say that one “ought” to undergo an emotion? In The Imperative of Responsibility, Hans Jonas provocatively asserts that twentieth‐century citizens “ought” to fear for the well‐being of future generations. I argue that Jonas's demand is not straightforwardly reducible to claims about the fittingness, expedience, or aretaic ...
Magnus Ferguson
wiley   +1 more source