Results 11 to 20 of about 2,143 (126)

Serbian musical criticism and essay writings during the XIXth and the first half of the XXth century as a subject of musicology research [PDF]

open access: yesMuzikologija, 2006
The beginning of 2006 marked two decades since the death of Stana Djurić-Klajn, the first historian of Serbian musical literature. This is the exterior motive for presenting a summary of the state and results of up-to-date musicology research into ...
Vasić Aleksandar N.
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The Baroque Artistic Legacy of Confraternities in the Croatian Franciscan Province of Sts. Cyril and Methodius

open access: yesActa Historiae Artis Slovenica, 2019
During the 17th and 18th centuries, confraternities in continental Croatia acted as commissioners of art—altar sculpture, paintings, and liturgical furnishings—but their overall contribution to the visual and cultural identity of this area has been less ...
Mirjana Repanić-Braun
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Portret nepoznatog slikara Michela Willenicha (Miha Vilenika) iz pera Orsata Meda Pucića

open access: yesAnali Zavoda za Povijesne Znanosti Hrvatske Akademije Znanosti i Umjetnosti u Dubrovniku, 2017
Medo Pucić(1821-1882), Ragusan intellectual whose pursuits by far surpassed the field of literature, published in 1878 an interesting art review in the literary journal Slovinac.
Bakija, Katija, Žaja-Vrbica, Sanja
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Radojka Tanhofer, Croatia’s Pioneering Film Editor

open access: yesApparatus. Film, Media and Digital Cultures of Central and Eastern Europe, 2019
This paper focuses on the editing career of Radojka Tanhofer, which can be divided into two main phases. The first covers Tanhofer’s years in editing (1940s - 1960s), learning and honing her craft, her work in numerous feature films with a number of ...
Jelena Modrić
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Jakob, Jelena, and Bogdin – Three Miniatures on the Assigned Theme
Jakob, Jelena i Bogdin – tri minijature na zadanu temu

open access: yesStudia Mythologica Slavica, 2010
Building upon the research of cultural anthropologists, archeologists and linguists in the area of the Southern Slavs, in particular in Croatia and Slovenia, the authors offer three examples of so far unnoticed paradigms of the “mythical landscape,” and ...
Vladimir Peter Goss, Vesna Mikić
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The Strossmayer Gallery in Zagreb in the interwar period: from a utopian project to a renowned institution

open access: yesIl Capitale Culturale: Studies on the Value of Cultural Heritage, 2016
The basis of today’s Strossmayer Gallery’s collection is the bequest of European Old Masters’ paintings collected by Bishop J. J. Strossmayer (1815-1905), with the fundamental desire to enlarge the scope of the Croatian cultural tradition through the ...
Ljerka Dulibic, Iva Pasini Tržec
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Searching for Schiavoni intellectuals

open access: yesIl Capitale Culturale: Studies on the Value of Cultural Heritage, 2018
The art history term of “Schiavoni” - used for artists born in Croatia, or Dalmatia, and active abroad, mostly in Italy - is completely absent from the Croatian literary history.
Neven Jovanović
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Pre-Romanesque interlace sculpture: A problem of stone motif terminology [PDF]

open access: yesZbornik Radova Akademije Umetnosti, 2020
Stone sculpture from the period between the beginning of the 8th and the end of the 10th centuries is characteristic for interlace compositions adorning church furniture and architectural elements of the time.
Miliša Miona
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Department of Art History, University of Zadar, Croatia

open access: yesArs Adriatica, 2013
Pročelje crkve u Starom Pagu (mjestu gdje se nalazio srednjovjekovni grad prije gradnje današnjeg Paga) sagradio je i ukrasio reljefima majstor Pavao iz Sulmone 1392. godine, kako svjedoči uklesan natpis. Autor, koji se i ranije bavio tim umjetnikom, iznosi pregled njegova djelovanja prema podacima iz zadarskog bilježničkog arhiva.
openaire   +2 more sources

Conference report [PDF]

open access: yesJournal of Art Historiography, 2019
The international conference ‘The Influence of the Vienna School of Art History before and after 1918‘, was organised by the Institute of Art History of the Czech Academy of Sciences in cooperation with the Department of Aesthetics of the Faculty of Arts
Petr Kubík, Tomáš Murár
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