Results 71 to 80 of about 32,006 (201)
Despojos de psique. Trauma, inscripción y archivo en Tentativa Artaud de R. Kay
Aisthesis, 2018 En octubre de 1974 se ejecuta la “primera fase” de Tentativa Artaud de Ronald Kay. En principio, diríase que la obra traza espacios de resistencia corporal contra el disciplinamiento que impone la dictadura.
Francisco Vega C.
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The democratical ideal and the Oresteia between 'Back to Basics' and cultural studies, between old and new historicism [PDF]
, 2004 A
Decreus, Freddy
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El teatro y el tiempo no mimético
Telondefondo : Revista de Teoría y Crítica Teatral, 2013 Desde Beckett, en tanto autor bisagra entre la vanguardia y la transvanguardia, hasta el llamado teatro minimalista de las últimas décadas, el teatro pone en debate, por acción paródica, esa cualidad teatral de “Dios de la muerte” que rechazaba Artaud ...
Susana Lage
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Prospero's death: modernism, anti-humanism and Un re in ascolto [PDF]
, 2016 In his own comments, Luciano Berio has consistently rejected the term ‘opera’ for his Un re in ascolto (‘A King, listening’, 1979-84), instead insisting on calling it a ‘musical action’ (azione musicale). This dismissal of opera as a genre contrasts with
Heile, Bjorn
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Anarchic Reflection and the Crisis of Krisis: Working with Artaud
Performance Philosophy, 2018 This article begins by arguing that the ‘madness’ of Antonin Artaud is either fetishised or resisted, depending on the disciplinary angle from which one works. It proposes an alternative approach to the study of Artaud, which might avoid such pitfalls by
Joel White
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Acta Fabula, 2015 Cet article est un compte-rendu du livre : Jacob Rogozinski, Guérir la vie. La passion d’Antonin Artaud, Paris : Éditions du Cerf, coll.
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Antonin Artaud e la scrittura del reale. Glossolalie e disegni per un linguaggio analfabetico [PDF]
, 2018 During the last ten years of his life, Antonin Artaud shows more and more intensively a multi-faceted and caustic refusal for traditional literature and the ordinary practice of writing.
Vergine, Fabio
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Josep Palau i Fabre: l'home és un animal que es busca
Catalonia, 2019 The intense and short relation with Antonin Artaud undeniably marked the first years of Josep Palau i Fabre's stay in Paris: a dangerous alchemical initiation, tending towards madness.
Manuel Guerrero Brullet
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“LA CRUDELTÁ NON FA PER ME” - Pasolini, Artaud e il teatro del “quasi”
Antropologia e Teatro, 2012 – IT Artaud e il suo “teatro della crudeltà” costituiscono il paradigma attraverso il quale comprendere l’estromissione dell’idea di teatro di Pasolini dal sistema storiografico del Nuovo Teatro.
Fabio Acca
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