Results 51 to 60 of about 887 (179)
ChemCatChem, Volume 16, Issue 15, August 12, 2024.The class of electrocatalyst with protected metal active sites (e. g. the present carbon‐capped and carbon‐supported nanoparticles) is not new in the literature and is being applied in many domains of electrochemistry, due to the peculiar properties of such materials, like high tolerance towards passivation, hydridation or degradation (e. g.
Huong Doan +4 more
wiley +1 more source
Food Safety and Health, Volume 2, Issue 2, Page 196-212, April 2024.Positive health effects of wine are attributed to its wide spectra of structurally diverse phenolic compounds. In addition to playing a major role in the sensory profile of wine, phenolics function through different mechanisms, exhibiting anti‐inflammatory, antimicrobial, antioxidant, anticancer, antiallergic, antidiabetic, immunomodulatory and ...
Danka Mitrović +3 more
wiley +1 more source
El teatro y el tiempo no mimético
Telondefondo : Revista de Teoría y Crítica Teatral, 2013 Desde Beckett, en tanto autor bisagra entre la vanguardia y la transvanguardia, hasta el llamado teatro minimalista de las últimas décadas, el teatro pone en debate, por acción paródica, esa cualidad teatral de “Dios de la muerte” que rechazaba Artaud ...
Susana Lage
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Anarchic Reflection and the Crisis of Krisis: Working with Artaud
Performance Philosophy, 2018 This article begins by arguing that the ‘madness’ of Antonin Artaud is either fetishised or resisted, depending on the disciplinary angle from which one works. It proposes an alternative approach to the study of Artaud, which might avoid such pitfalls by
Joel White
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Lawnmower Poetry and the Poetry of Lawnmowers
Critical Quarterly, Volume 68, Issue 1, Page 4-42, April 2026.
Francesca Gardner
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Josep Palau i Fabre: l'home és un animal que es busca
Catalonia, 2019 The intense and short relation with Antonin Artaud undeniably marked the first years of Josep Palau i Fabre's stay in Paris: a dangerous alchemical initiation, tending towards madness.
Manuel Guerrero Brullet
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“LA CRUDELTÁ NON FA PER ME” - Pasolini, Artaud e il teatro del “quasi”
Antropologia e Teatro, 2012 – IT Artaud e il suo “teatro della crudeltà” costituiscono il paradigma attraverso il quale comprendere l’estromissione dell’idea di teatro di Pasolini dal sistema storiografico del Nuovo Teatro.
Fabio Acca
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Una violeta de más, de Francisco Tario: crueldad, humor y praxis
Valenciana, 2009 Este artículo analiza algunos cuentos de Francisco Tario, contenidos en La noche y Una violeta de más desde la perspectiva de una estética de la crueldad.
Inés Ferrero Cándenas
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Il “linguaggio visivo” di Artaud. Genealogie e intrecci
CoSMO, 2017 Il saggio si propone di analizzare, alla luce delle più recenti indicazioni metodologiche provenienti dai Visual Studies, il concetto di «linguaggio visivo» elaborato da Artaud in alcuni suoi fondamentali interventi raccolti nel Teatro e il suo doppio e,
Vanessa Pietrantonio
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Les Temps Modernes, 2016 This article tries to characterize as accurately as possible, by taking into consideration the many texts that he wrote about Artaud, the type of relation that Derrida wishes to establish between literature and philosophy. Derrida distinguishes between two principal types of commentary: the "commentary-echo", in which the generic syllables of the ...
openaire +2 more sources