Results 31 to 40 of about 502 (136)
Plagio y memoria: la reivindicación del falsificador de arte en la literatura de Georges Perec
Anclajes, 2020 Este artículo está centrado en dos novelas del autor francés Georges Perec (1936-1982) en las que los personajes principales son falsificadores de arte.
Yunuen Díaz
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Sobre la edad solutrense de algunas pinturas de la cueva de la Pileta (Málaga)
Zephyrus, 2009 Los yacimientos prehistóricos con arte rupestre, de tipo francocantábrico o hispano-francés, con una terminología más justa, son escasos hasta la fecha en las regiones lindantes con el Mediterráneo español.
Francisco JORDÁ CERDÁ
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‘I'm Dead!’: Action, Homicide and Denied Catharsis in Early Modern Spanish Drama
Renaissance Studies, EarlyView.Abstract In early modern Spanish drama, the expression ‘¡Muerto soy!’ (‘I'm dead!’) is commonly used to indicate a literal death or to figuratively express a character's extreme fear or passion. Recent studies, even one collection published under the title of ‘¡Muerto soy!’, have paid scant attention to the phrase in context, a serious omission when ...
Ted Bergman
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Michel Henry: critérios de avaliação de uma obra de arte
Revista da Fundarte, 2014 Este artigo apresenta a tese de obra de arte proposta pelo filósofo francês Michel Henry, tal como ele a tece em sua Fenomenologia da Vida. Para Michel Henry, a obra de arte, como toda a cultura, mesmo nos seus aspetos mais técnicos e ou materiais ...
Florinda Martins, Marcelo Saldanha
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What Does Intarsia Say? Materiality and Spirituality in the Urbino Studiolo☆
Renaissance Studies, EarlyView.Abstract Upon entering the Urbino studiolo of Federico da Montefeltro, the visitor is struck by a material‐charged environment. Surprisingly, only a few scholars have addressed one prominent aspect of the decorative scheme, namely, the feature of intarsia as a medium. Even so, it remains on the sidelines of the discussion.
Matan Aviel
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O documento como questão na fotografias de paisagem de Pedro David e Felix Thiollier
Revista Eco-Pós, 2014 O presente trabalho discute o documento na fotografia de paisagem no contexto da arte contemporânea. Com base na perspectiva anacrônica proposta por Didi-Huberman e Daniel Arrasse, analisaremos imagens do artista visual e fotógrafo mineiro Pedro David na
Fernando Gonçalves +2 more
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Obesity and the Politics of Taddeo di Bartolo's Inferno
Renaissance Studies, EarlyView.ABSTRACT This paper examines Taddeo di Bartolo's depiction of Hell in the Collegiata di Santa Maria Assunta, the mother church of San Gimignano. In a striking departure from similar scenes of the period, the fresco, painted in the early fifteenth century, emphasizes the obesity of the sinners—suggesting a deliberate visual critique.
Stefania Roccas Gandal
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Posibilidades de mundos. El arte actual según Jean-Luc Nancy
Boletín de Arte, 2016 Reseña a Nancy, Jean-Luc (2014). El arte hoy. Buenos Aires: Prometeo. 78 páginas. Esta reseña presenta el libro El arte hoy (2014), de Jean-Luc Nancy, pensador francés de la filosofía y de la estética actual, y destaca su principal propuesta: el sentido
Verónica Capasso
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Renaissance Studies, EarlyView.ABSTRACT During the fifteenth and sixteenth centuries, there was no statutory difference between cartography, drawing and painting. These activities were performed then by craftsmen who were part of a vast group under the umbrella of ‘mechanical arts’ and fell under the ‘artifex’ category. Artifex were experts in any particular art, whether a craftsman,
Vasco Medeiros
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ACROSS LANGUAGE BORDERS: WRITING INTEGRATION AND BELONGING IN KINDERTRANSPORT DIARIES
German Life and Letters, Volume 79, Issue 2, Page 129-147, April 2026.ABSTRACT The diaries of six Kindertransport refugees who fled Nazi persecution in Germany and Austria to Britain in 1938 and 1939 offer unique insights into how language use reflects negotiations of identity and belonging. Moving beyond traditional concepts of bilingualism, a translingual framework reveals how these young refugees navigated between ...
Monja Stahlberger
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