Results 21 to 30 of about 4,590 (216)
Púrpura. Materialidad y simbolismo en la Edad Media
Anales de Historia del Arte, 2015 Durante la Edad Media el término púrpura identificaba un concepto cromático entre los colores rojo, violeta y azul a la vez que podía designar un tipo de tejido específico, pero no estuvo asociado, como en la Antigüedad, al tinte extraído del murex ...
Laura Rodríguez Peinado
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Dádivas preciosas en marfil: la política del regalo en la corte omeya andalusí
Anales de Historia del Arte, 2015 La magnificencia y la ostentación constituyeron parte fundamental de la política de prestigio implantada por los Omeyas en al-Andalus. Perpetuando la forma de actuación de los monarcas orientales, los soberanos andalusíes recurrieron con mucha frecuencia
Noelia Silva Santa-Cruz
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Andalusi and Hispanic Astrolabes: From Precision to Sumptuousness
Anales de Historia del Arte, 2015 The astrolabe is a two-dimensional model of the universe. The origins of this astronomical instrument were in Greece around the 1st century BC. From the 8th century the Islamic world developed it further to make it an instrument at the service of ...
Azucena Hernández Pérez
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State of the Field: Royal Studies and Court Studies
History, EarlyView.Abstract Monarchy, as the world's oldest and most enduring form of political organization, is an area that has attracted the attention of scholars from a range of disciplines. Two connected and complementary fields embody this interdisciplinary study of monarchy and monarchies: royal studies, which takes an all‐encompassing approach to monarchy, and ...
Jonathan Spangler, Elena Woodacre
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Fontes para o estudo da arte medieval [PDF]
, 2013 Titulación: Grao en Historia da Arte -- Materia: Fontes Documentais e Literarias para a Historia da ArteA materia Fontes documentais e literarias para a Historia da Arte, posúe o carácter de obrigatoria e ten que ser cursada no segundo ano (2º curso ...
Fraga Sampedro, María Dolores
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De Stupro: First Insights on Rape and Its Prosecution in Maltese Courts (1701–10)
Journal for Eighteenth-Century Studies, EarlyView.Abstract This article constitutes a first in‐depth investigation of rape and the prosecution of this crime in early eighteenth‐century Malta. The research, which is based on sixteen rape accusations claimed at the secular courts in Malta between 1701 and 1710, has analysed cases categorized as ‘simple rape’, ‘violent rape’ and rape committed under the ...
Vanessa Buhagiar
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‘I'm Dead!’: Action, Homicide and Denied Catharsis in Early Modern Spanish Drama
Renaissance Studies, EarlyView.Abstract In early modern Spanish drama, the expression ‘¡Muerto soy!’ (‘I'm dead!’) is commonly used to indicate a literal death or to figuratively express a character's extreme fear or passion. Recent studies, even one collection published under the title of ‘¡Muerto soy!’, have paid scant attention to the phrase in context, a serious omission when ...
Ted Bergman
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Sob um céu dourado: utopia e arte medieval
, 2020 At the beginning of 19th century, Novalis urged his contemporaries to build a utopian Europe ”“ politically harmonious, spiritually renewed and artistically creative ”“ by means of a return to the Middle Ages.
de Souza, Gustavo Lopes
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Anales de Historia del Arte, 2012 This article aims to highlight if and to what extent the medieval iconography of the Dormition of the Virgin reflects the central or peripheral details of three apocryphal texts, written by the Pseudo John the Theologian, the archbishop John of ...
José María Salvador González
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What Does Intarsia Say? Materiality and Spirituality in the Urbino Studiolo☆
Renaissance Studies, EarlyView.Abstract Upon entering the Urbino studiolo of Federico da Montefeltro, the visitor is struck by a material‐charged environment. Surprisingly, only a few scholars have addressed one prominent aspect of the decorative scheme, namely, the feature of intarsia as a medium. Even so, it remains on the sidelines of the discussion.
Matan Aviel
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