Results 31 to 40 of about 164,217 (232)
El "Breviarium Historiae Catholicae" de Rodrigo Jiménez de Rada
Anales de Historia del Arte, 2014 El Breviarium Historiae Catholicae de Rodrigo Jiménez de Rada es un códice bajomedieval de gran interés conservado en la Biblioteca de la Universidad Complutense.
Helena Carvajal González
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‘I'm Dead!’: Action, Homicide and Denied Catharsis in Early Modern Spanish Drama
Renaissance Studies, EarlyView.Abstract In early modern Spanish drama, the expression ‘¡Muerto soy!’ (‘I'm dead!’) is commonly used to indicate a literal death or to figuratively express a character's extreme fear or passion. Recent studies, even one collection published under the title of ‘¡Muerto soy!’, have paid scant attention to the phrase in context, a serious omission when ...
Ted Bergman
wiley +1 more source
The Castle-Palace of the Álvarez de Toledo’s family in Alba de Tormes
Anales de Historia del Arte, 2014 The political rise of the Álvarez de Toledo family, Dukes of Alba since 1472, transformed the town of Alba de Tormes in the capital city of its domains.
Herbert González Zymla
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What Does Intarsia Say? Materiality and Spirituality in the Urbino Studiolo☆
Renaissance Studies, EarlyView.Abstract Upon entering the Urbino studiolo of Federico da Montefeltro, the visitor is struck by a material‐charged environment. Surprisingly, only a few scholars have addressed one prominent aspect of the decorative scheme, namely, the feature of intarsia as a medium. Even so, it remains on the sidelines of the discussion.
Matan Aviel
wiley +1 more source
Las telas ricas en la arquitectura. La permanencia de lo efímero
Anales de Historia del Arte, 2015 En el presente artículo se trata la estrecha relación que existió entre la arquitectura y las ricas telas en la España cristiana e islámica de la Baja Edad Media.
Juan Carlos Ruiz Souza
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Eikón Imago, 2023 Reseña de la obra de Kessler, Herbert L. La experiencia del arte medieval. Traducido por Antonia Martínez Ruipérez. Madrid: Akal, 2022 [ISBN: 9788446051435]
Ángel Pazos-López
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Obesity and the Politics of Taddeo di Bartolo's Inferno
Renaissance Studies, EarlyView.ABSTRACT This paper examines Taddeo di Bartolo's depiction of Hell in the Collegiata di Santa Maria Assunta, the mother church of San Gimignano. In a striking departure from similar scenes of the period, the fresco, painted in the early fifteenth century, emphasizes the obesity of the sinners—suggesting a deliberate visual critique.
Stefania Roccas Gandal
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Bango Torviso, Isidro G. (et al.). Revisión del Arte Medieval en Euskal Herria [PDF]
, 1996 Reseña del libro que recoge la ponencias y comunicaciones de las Jornadas de Arte Vasco-Revisión del Arte Medieval en Euskal Herria celebradas en San ...
Puig Peñalosa, Xavier
core
'Magic coins' and 'magic squares': the discovery of astrological sigils in the Oldenburg Letters [PDF]
, 2008 Enclosed in a 1673 letter to Henry Oldenburg were two drawings of a series of astrological sigils, coins and amulets from the collection of Strasbourg mathematician Julius Reichelt (1637–1719). As portrayals of particular medieval and early modern sigils
Anna Marie Roos +30 more
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Producción artística en la Baja Edad Media. Originalidad y/o copia
Anales de Historia del Arte, 2012 During the last period of the Middle Ages, there was a marked increase in the production of art objects. This quantitative increase was made possible by the two forms of artistic production materialized in the period: the commissioned work by renowned ...
Olga Pérez Monzón
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