Results 31 to 40 of about 4,590 (216)
, 2023 This letter is to provide an approximation to the representative corpus of the musical repertoire of the Catholic Christian Church of the West, generated in medieval art. They also address the figure of St.
Uribe Ulloa, Hector
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Eikón Imago, 2023 Reseña de la obra de Kessler, Herbert L. La experiencia del arte medieval. Traducido por Antonia Martínez Ruipérez. Madrid: Akal, 2022 [ISBN: 9788446051435]
Ángel Pazos-López
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Obesity and the Politics of Taddeo di Bartolo's Inferno
Renaissance Studies, EarlyView.ABSTRACT This paper examines Taddeo di Bartolo's depiction of Hell in the Collegiata di Santa Maria Assunta, the mother church of San Gimignano. In a striking departure from similar scenes of the period, the fresco, painted in the early fifteenth century, emphasizes the obesity of the sinners—suggesting a deliberate visual critique.
Stefania Roccas Gandal
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Archivo Español de Arqueología, 2010 Este artículo propone que el bastidor de madera, representado en un relieve romano de Forli, sea la tendicula conocida por la literatura latina. Las operaciones de estiramiento de paños desarrolladas con este aparato están relacionadas inequívocamente ...
Alexandra Uscatescu
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El castillo y las fortificaciones de Calatayud: estado de la cuestión y secuencia constructiva
Anales de Historia del Arte, 2013 El castillo y las fortificaciones de Calatayud: estado de la cuestión y secuencia ...
Herbert González Zymla
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Renaissance Studies, EarlyView.ABSTRACT During the fifteenth and sixteenth centuries, there was no statutory difference between cartography, drawing and painting. These activities were performed then by craftsmen who were part of a vast group under the umbrella of ‘mechanical arts’ and fell under the ‘artifex’ category. Artifex were experts in any particular art, whether a craftsman,
Vasco Medeiros
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Trinkets and Charms: the use, meaning and significance of later medieval and early post-medieval dress accessories [PDF]
, 2010 This is a thematic study of dress accessories of late medieval to early post-medieval date from two regions of mainland Britain. It is an investigation of everyday objects which aims to re-engage the material world with past individuals.
STANDLEY, ELEANOR,ROSE
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Nueva aproximación al estudio de varias piezas suntuarias islámicas metálicas del Museo Arqueológico Nacional [PDF]
Boletín del Museo Arqueológico Nacional, 2017 En este artículo presentamos los resultados obtenidos tras el estudio de varias piezas suntuarias metálicas de origen islámico pertenecientes a la colección del Museo Arqueológico Nacional (MAN), algunas de ellas catalogadas como nazaríes.
Francisco Hernández Sánchez
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Anales de Historia del Arte, 2013 Este artículo plantea el modo en que las fuentes cronísticas nos ayudan a dilucidar la relevancia del tejido de ornamentación en los actos ceremoniales y festivos de índole cívica, como símbolo de ostentación, indisolublemente ligado a los resortes de ...
Sila Oreja Andrés
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More Science Than Art: The First Botanical Garden in Portugal (c. 1650)
Renaissance Studies, EarlyView.ABSTRACT Gabriel Grisley, a German physician, came to Portugal and founded a garden near the Xabregas River in Lisbon, during the 1610s under the Spanish kings' rule. In view of the utility a botanic garden represented for the kingdom, he was able to obtain a royal privilege from King João IV during the Restauration War against the Spanish (1640–1668).
Ana Duarte Rodrigues
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