Results 31 to 40 of about 163,907 (281)

The Iron Gates of the Assumption Church in Barco de Ávila

open access: yesAnales de Historia del Arte, 2015
The four monumental iron screens of the parish church of Our Lady of the Assumption in Barco de Ávila are a very good example of wrought iron screens of the transition period to the Renaissance (1490- 1535).
Herbert González Zymla
doaj   +1 more source

PROJECT ÉVORA 3D: RESEARCH, METHODOLOGY, RECONSTRUCTION AND VISUALIZATION [PDF]

open access: yes, 2019
The Évora 3D project was born from the collaboration between the Municipality and the University of Évora, through the two research centres of CIDEHUS1 and CHAIA2, with the objective of completing a virtual reconstruction of the city in a longtime frame.
Barros, Filomena   +3 more
core   +1 more source

Púrpura. Materialidad y simbolismo en la Edad Media

open access: yesAnales de Historia del Arte, 2015
Durante la Edad Media el término púrpura identificaba un concepto cromático entre los colores rojo, violeta y azul a la vez que podía designar un tipo de tejido específico, pero no estuvo asociado, como en la Antigüedad, al tinte extraído del murex ...
Laura Rodríguez Peinado
doaj   +1 more source

Dádivas preciosas en marfil: la política del regalo en la corte omeya andalusí

open access: yesAnales de Historia del Arte, 2015
La magnificencia y la ostentación constituyeron parte fundamental de la política de prestigio implantada por los Omeyas en al-Andalus. Perpetuando la forma de actuación de los monarcas orientales, los soberanos andalusíes recurrieron con mucha frecuencia
Noelia Silva Santa-Cruz
doaj   +1 more source

The fortunes of Arthur: Malory to Milton [PDF]

open access: yes, 2014
This chapter follows the fortunes of Arthur as a figure contested and celebrated in equal measure between Malory's Morte Darthur (1485), and Milton's History of Britain (1670).
Maley, Willy, Swann, Adam
core   +1 more source

Andalusi and Hispanic Astrolabes: From Precision to Sumptuousness

open access: yesAnales de Historia del Arte, 2015
The astrolabe is a two-dimensional model of the universe. The origins of this astronomical instrument were in Greece around the 1st century BC. From the 8th century the Islamic world developed it further to make it an instrument at the service of ...
Azucena Hernández Pérez
doaj   +1 more source

Game Studies. Aproximaciones metodológicas desde la Historia del Arte Medieval

open access: yesEspacio, Tiempo y Forma. Serie VII, Historia del Arte, 2021
En el presente artículo se ofrece un estado de la cuestión actualizado acerca de la relación del videojuego con el mundo de la cultura y de las disciplinas históricas.
Javier Castiñeiras López
doaj   +1 more source

Civility, honour and male aggression in early modern English jestbooks

open access: yesGender &History, EarlyView.
Abstract This article discusses the comical representation of inter‐male violence within early modern English jestbooks. It is based on a rigorous survey of the genre, picking out common themes and anecdotes, as well as discussing their reception and sociable functions. Previous scholarship has focused on patriarchs, subversive youths and impoliteness.
Tim Somers
wiley   +1 more source

Mensaje simbólico del arte medieval. Arquitectura, liturgia e iconografía (Reseña) [PDF]

open access: yes, 1995
Reseña del libro de Santiago SEBASTIÁN, Mensaje simbólico del arte medieval.
Gutiérrez-Martín, J.L. (José Luis)
core  

“Nothing in Nature Is Naturally a Statue”: William of Ockham on Artifacts [PDF]

open access: yes, 2018
Among medieval Aristotelians, William of Ockham defends a minimalist account of artifacts, assigning to statues and houses and beds a unity that is merely spatial or locational rather than metaphysical.
Zupko, Jack
core   +2 more sources

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