Results 161 to 170 of about 999 (201)

Galería Arqueológica Nacional: la evolución del Arte Parietal

open access: yes, 2023
En 1875, unos años antes de la inauguración del Museo Arqueológico Nacional, un hombre llamado Marcelino Sanz de Sautuola y su hija María descubren la cueva de Altamira (Santillana del Mar, Cantabria). Debido al increíble grado de conservación de las imágenes, científicos y estudiosos de la época entran en estado de alerta.
López Ferrer, Aitana
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Palaeolithic Parietal Art and its Topographical Context.

Proceedings of the Prehistoric Society, 1991
Our purpose is to examine the hypothesis that Palaeolithic parietal image sites in south-west Europe model or map a specific area of the terrain around them in so far as that terrain was useful to the people who made the images. So far as we are aware the hypothesis has not received wide attention (Eastham 1979; Kehoe 1990).
null Michael, Anne Eastham
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Portable and Parietal Art of Kamyana Mohyla, Ukraine

2023
Kamyana Mohyla is Ukraine's largest and most prominent rock art complex and is located at least one thousand kilometers from other comparable rock art sites. Situated on the western edge of the Eurasian Steppe belt, the site shows prehistoric imagery from several different contexts-some of its engravings are considered in the frame of European rock art,
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The parietal art of the Late Magdalenian

Antiquity, 1990
While lively debate has gone on about the meaning and function of Palaeolithic parietal art, the intractable and essential questions of its dating have been less in the foreground. With Leroi-Gourhan's interpretations goes his identification of styles and their chronology, published in 1965.
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Water Mythology and the distribution of Palaeolithic Parietal Art

Proceedings of the Prehistoric Society, 1978
In recent years there has been a refreshing move away from simplistic interpretations of Palaeolithic art: few scholars still adhere to the view of ‘art for art's sake’ or ‘totemism’, although many are reluctant to abandon the formerly dominant theory of ‘hunting magic’.
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The Hidden Meaning of Forms: Methods of Recording Paleolithic Parietal Art

Journal of Archaeological Method and Theory, 2007
There are many restrictions placed on researchers studying Paleolithic Cave art due to the constraints of conservation that limit direct contact with the original works. This paper discusses how recent advances in technology have revolutionized the study and interpretation of Paleolithic cave art. The interpretation of Paleolithic symbolic systems is a
Fritz, Carole, Tosello, Gilles
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Revisiting the Parietal Art of Wonderwerk Cave, South Africa

African Archaeological Review, 2016
Seen by all who visit Wonderwerk Cave, the rock paintings that adorn its walls have attracted less attention than many other aspects of the site. The paper gives a brief account of their history and significance and of factors that have constrained their study.
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Parietal art discovered at Arene Candide Cave (Liguria, Italy)

Antiquity, 2008
The authors have discovered small oval panels of parallel lines in the famous Ligurian cave of Arene Candide, and show that it must be art of the Epigravettian period, c. 11-10000bp (uncalibrated).
MUSSI, Margherita, P. Bahn, R. Maggi
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Agency, art and altered consciousness: a motif in French (Quercy) Upper Palaeolithic parietal art

Antiquity, 1997
Is the meaning of prehistoric art beyond recovery — especially the meaning of early art in deep caves, a remote and strange location which itself suggests some out-of-the-ordinary purpose? David Lewis-Williams has been extending his explorations of meaning in later southern African rock-art to the famous enigma of the European Palaeolithic, here in the
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