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Action, Art, History: Engagements with Arthur C. Danto
British Journal of Aesthetics, 2008exaly +2 more sources
La filosofia dell’arte di Arthur C. Danto. Alcune recenti traduzioni
, 2010 Attraverso l’analisi di alcune recenti traduzioni italiane delle opere di Arthur Danto, il saggio affronta alcuni aspetti della sua filosofia dell’arte. In particolare: la differenza ontologica tra opera e oggetto; il rapporto tra essenzialismo e storicismo; la tesi della fine della storia dell’arte e il problema dell’arte post ...
MARCHETTI, Luca
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Art and Indiscernibility: Arthur C. Danto and the Dynamics of Analytic Philosophy
Modern Intellectual History, 2021Arthur C. Danto was one of the most influential and prolific philosophers of art of the second half of the twentieth century. More particularly, his encounter with the art of Andy Warhol in 1964 became a crucial moment that would catapult his lifelong attempt to spell out the theoretical conditions of contemporary art, and the implications those ...
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Pluralismo posthistórico en Arthur C. Danto
2018<p>El trabajo indaga en el concepto de Pluralismo propuesto por el filósofo y crítico de arte contemporáneo Arthur C. Danto, con la intención de ensayar las implicancias de una eventual aplicación de dicha noción (forjada originalmente para describir la situación del mundo del arte en lo que el autor llama “Posthistoria”) a la esfera política ...
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Il ruolo cognitivo della metafora in Arthur C. Danto
estetica. studi e ricerche, 2017My intention in this paper is to show that the cognitive role of metaphor in Danto’s approach is more modest than the one theorized by some contemporary philosophers. I argue that: 1) considering his enthymematic conception of metaphor, Danto endorses the idea that a metaphor brings to light an implicit feature of the topic and does not create a ...
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Arthur C. Dantos Kunstphilosophie
Zeitschrift für Kulturphilosophie, 2014Katharina Bahlmann, Daniel Martin Feige
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Arthur C. Danto a idea konce umění
2019An American philosopher and aesthetician Arthur C. Danto and his theory of art are emphasized in this bachelor thesis. The crucial issues of the thesis are the clarification of Danto's term "Artworld" and the seeking of both the roots and the explanatory power of theory that proclaims end of art to that a brief look into the philosophy of G. W.
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