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The Artist’s Book in the Age of Digital Reproduction: Walter Benjamin and the Artist’s Book [PDF]
Walter Benjamin, who was familiar with the pre-Second World War avant-garde, argued that mechanization threatens the aura of art objects. The digital revolution has been seen as reconfirming Benjamin’s thesis, but the digital can be seen to ...
Stephen Bury
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A book is not only a carrier of information, but also the way of its aesthetic visualization. This actualizes the problem of understanding a book as an artistic artifact. The study of the book in this context implies the identification of several aspects:
N. S. Murashova
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The impetus of contemporary scientific revolutions, artists turned to what is known as the artist’s book as one of the methods of artistic expression , so the artist’s book depends on all forms of contemporary art, such as drawing, photography ...
Ebtsam El Rashid
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Italian Futurist Books (1909-1944) at the British Library
The Futurist book was instrumental in the circulation of Futurist ideas and represents a very experimental phase in book production, paving the way for the book object, the artist’s book, advertising and design.
Valentina Mirabella
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De la page blanche à la sculpture, les multiples formes de l’objet-livre - Entretien
This article is part of a research-creation project where the concept of “format” can be questioned through the medium of the artist’s book. Endowed with specific material and formal qualities, the book-object is an open artistic medium generating hybrid
Alexandre Melay, Valérie Morisson
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Enfolding the Hand, Entrancing the Eye: Erica Baum’s Dog Ear
This essay situates Erica Baum’s Dog Ear (Ugly Duckling Presse 2011) within the history of the artist’s book. It does so by introducing her ongoing series, begun over a decade ago, in which Baum makes the quotidian act of folding the corner of a book’s ...
Riley Llewellyn Hanick
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Dip Your Finger into the Book about Max Ernst’s Books
By paying close attention to the material body of the book, Max Ernst’s (1891–1976) oeuvre extends beyond literature and represents a significant contribution to the artist’s book in the 20th century.
Gabriele Wix
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Les Dessins trans-conscients de Stéphane Mallarmé par Ernest Fraenkel : une méthode originale
This article focuses on the improvisation process, both graphic and linguistic, developed in 1952 and 1960 by Ernest Fraenkel on Un Coup de dés jamais n’abolira le hasard (1897, 1914), by Stéphane Mallarmé, and then developed, almost simultaneously in ...
Anna Samson, Serge Chamchinov
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Noise, please: let the body of the text unsettle your readings
Recensão crítica: Anne M. Royston, Material Noise: Reading Theory as Artist’s Book. Cambridge, MA: The MIT Press, 2019, 213 pp. ISBN 978-0-262-04292-5.
Reina, Patrícia
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The artist's book seized by the comic strip. Crossings, détournements
A Humument (1966-2016), Tom Phillips’s masterwork, is an artist's book which falls under the category of found text by virtue of its compositional strategies.
Livio Belloï, Michel Delville
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