Results 11 to 20 of about 611 (219)
Noise, please: let the body of the text unsettle your readings
Recensão crítica: Anne M. Royston, Material Noise: Reading Theory as Artist’s Book. Cambridge, MA: The MIT Press, 2019, 213 pp. ISBN 978-0-262-04292-5.
Reina, Patrícia
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The Artist’s Book in the Age of Digital Reproduction: Walter Benjamin and the Artist’s Book
Walter Benjamin, who was familiar with the pre-Second World War avant-garde, argued that mechanization threatens the aura of art objects. The digital revolution has been seen as reconfirming Benjamin’s thesis, but the digital can be seen to ...
Stephen Bury
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Les métamorphoses du ciel : espaces et formats dans la poésie spatialiste
Prominent representatives of the avant-gardes and inventors of “spatialism” in the early sixties, Ilse Garnier (1927-2020) and Pierre Garnier (1928-2014) are best known for their creations in the field of visual poetry and sound poetry. Their works use a
Marianne Simon-Oikawa
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THE ARTIST’S BOOK AS A GENRE IN CONTEMPORARY VISUAL ART – DEFINITION AND MAIN TYPES OF ARTISTS’ PUBLICATIONS [PDF]
The article lays the theoretical foundations for considering and understanding the Artist's Book as a unique form of expression in contemporary art. The Artist’s Book is defined as a free visual work of the artist that is conceived and realized through ...
Regina Dalkalacheva
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The Road is Wider than Long is a paradoxical artist’s book created by Roland Penrose in 1939. At the same time documentary and poetic, a travel report and a lyrical production, it comprises free verse, typographic poetry, “papiers collés”, and ...
Anne Reverseau
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Starting from the question that guides this Dossier, I assume the freedom of the essay and I consider studying the last book of the writer Carlos Liscano, Los orígenes, in the general context of his work, but, more strictly, of his production since 2000,
Carina Blixen
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Materials for the creative biography of Tatyana Gippius (Based on the artist’s “diaries” for 1906–1908). Part I [PDF]
The article is dedicated to the creative biography of the Russian artist Tatyana Nikolaevna Gippius (1877–1957). The author bases on previously unknown materials from the Amherst archive (Massachusetts, USA) — T.N.
Margarita Pavlova
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A book is not only a carrier of information, but also the way of its aesthetic visualization. This actualizes the problem of understanding a book as an artistic artifact. The study of the book in this context implies the identification of several aspects:
N. S. Murashova
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Science, art, and legends in geotourism: a multidisciplinary geotrail approach in Alagna Valsesia, Sesia Val Grande Geopark (NW Italy) [PDF]
This paper presents the results of a project based on a method that integrates geological knowledge and local cultural heritage within the Alagna Valsesia area, located in the Sesia Val Grande Geopark, Italy.
M. Guerini +3 more
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Mary Ruefle’s A Little White Shadow (2006) asks the reader to consider the book as more than a container for poetry by playing with our expectations of print books: namely stability, permanence, and authority.
Catherine Ann Winters
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