Results 11 to 20 of about 611 (219)

Noise, please: let the body of the text unsettle your readings

open access: yesMatLit, 2020
Recensão crítica: Anne M. Royston, Material Noise: Reading Theory as Artist’s Book. Cambridge, MA: The MIT Press, 2019, 213 pp. ISBN 978-0-262-04292-5.
Reina, Patrícia
doaj   +1 more source

The Artist’s Book in the Age of Digital Reproduction: Walter Benjamin and the Artist’s Book

open access: yesArts, 2019
Walter Benjamin, who was familiar with the pre-Second World War avant-garde, argued that mechanization threatens the aura of art objects. The digital revolution has been seen as reconfirming Benjamin’s thesis, but the digital can be seen to ...
Stephen Bury
doaj   +1 more source

Les métamorphoses du ciel : espaces et formats dans la poésie spatialiste

open access: yesInterfaces, 2021
Prominent representatives of the avant-gardes and inventors of “spatialism” in the early sixties, Ilse Garnier (1927-2020) and Pierre Garnier (1928-2014) are best known for their creations in the field of visual poetry and sound poetry. Their works use a
Marianne Simon-Oikawa
doaj   +1 more source

THE ARTIST’S BOOK AS A GENRE IN CONTEMPORARY VISUAL ART – DEFINITION AND MAIN TYPES OF ARTISTS’ PUBLICATIONS [PDF]

open access: yesИздател
The article lays the theoretical foundations for considering and understanding the Artist's Book as a unique form of expression in contemporary art. The Artist’s Book is defined as a free visual work of the artist that is conceived and realized through ...
Regina Dalkalacheva
doaj   +1 more source

The blend of poetry and document in the photographical artist’s book The Road is Wider than Long by Roland Penrose (1939)

open access: yesInterfaces, 2020
The Road is Wider than Long is a paradoxical artist’s book created by Roland Penrose in 1939. At the same time documentary and poetic, a travel report and a lyrical production, it comprises free verse, typographic poetry, “papiers collés”, and ...
Anne Reverseau
doaj   +1 more source

Los orígenes y los días

open access: yesCuadernos LIRICO, 2021
Starting from the question that guides this Dossier, I assume the freedom of the essay and I consider studying the last book of the writer Carlos Liscano, Los orígenes, in the general context of his work, but, more strictly, of his production since 2000,
Carina Blixen
doaj   +1 more source

Materials for the creative biography of Tatyana Gippius (Based on the artist’s “diaries” for 1906–1908). Part I [PDF]

open access: yesЛитературный факт, 2019
The article is dedicated to the creative biography of the Russian artist Tatyana Nikolaevna Gippius (1877–1957). The author bases on previously unknown materials from the Amherst archive (Massachusetts, USA) — T.N.
Margarita Pavlova
doaj   +1 more source

Book as an Artistic Artifact

open access: yesБиблиосфера, 2023
A book is not only a carrier of information, but also the way of its aesthetic visualization. This actualizes the problem of understanding a book as an artistic artifact. The study of the book in this context implies the identification of several aspects:
N. S. Murashova
doaj   +1 more source

Science, art, and legends in geotourism: a multidisciplinary geotrail approach in Alagna Valsesia, Sesia Val Grande Geopark (NW Italy) [PDF]

open access: yesGeoscience Communication
This paper presents the results of a project based on a method that integrates geological knowledge and local cultural heritage within the Alagna Valsesia area, located in the Sesia Val Grande Geopark, Italy.
M. Guerini   +3 more
doaj   +1 more source

From Multivalent Writing to a Poetics of the Book: A Media-Specific Analysis of Mary Ruefle’s A Little White Shadow

open access: yesSillages Critiques, 2022
Mary Ruefle’s A Little White Shadow (2006) asks the reader to consider the book as more than a container for poetry by playing with our expectations of print books: namely stability, permanence, and authority.
Catherine Ann Winters
doaj   +1 more source

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