Results 11 to 20 of about 206,637 (273)

The Self-Portrait as a Means of Self-Investigation, Self-Projection and Identification among the Primary School Population in Croatia

Center for Educational Policy Studies Journal, 2020
The self-portrait is a reflection of the personality in a visual, physical sense, as a concrete form, a summary of the external characteristics of the artist, but also in a psychological sense, when the self-portrait becomes a mediator of communication ...
Dunja Pivac, Maja Zemunik
doaj   +1 more source

Dancing, moving and writing in clinical supervision? Employing embodied practices in psychotherapy supervision [PDF]

, 2010
Original article can be found at: http://www.sciencedirect.com Copyright ElsevierThis paper takes a new look at the methods of embodiment for psychotherapy supervision.
Meekums, B., Panhofer, H., Parke, T., Payne, Helen   +3 more
core   +1 more source

In search of a painter’s stroke. Female body boundaries in Zora Petrovic’s painting acts (1956/1957) [PDF]

Glasnik Etnografskog Instituta SANU, 2014
The treatment of female body in the paintings of Zora Petrovic anticipate the feminist theories that originated during the 70’s and 80’s of the 20th century, which suggested androcentrism and absence of the female perspective and the necessity ...
Jovičić Petrija, Bašić Ivana
doaj   +1 more source

Secrets of a Silent Miniaturist: Findings from a Technical Study of Miniatures Attributed to Isaac Oliver

British Art Studies, 2020
An evidently accomplished draughtsman, Isaac Oliver (circa 1565–1617) remains an enigmatic artist in many respects. While Nicholas Hilliard’s treatise on the art of limning provides considerable insight into his material use, techniques, and self ...
Christine Slottved Kimbriel, Paola Ricciardi   +1 more
doaj   +1 more source

Сhamber-vocal expression as a process of artistic self-identification (on example of Rakhmaninov’s creation)

National Academy of Managerial Staff of Culture and Arts Herald, 2018
The purpose of article is the research of transformation of genre models in critical historical epoch. In concrete historical time the creative ego of artist is in definite normative space which is actualized of genre-style concrete things. Art activities in formatted by epoch genre-style conditions can provide easy task for artist.
Serhii Кhananaev, Anna And Кhananaeva
openaire   +2 more sources

Communicative and Pragmatic Specificity of Self-Presentation Models (by Example of Stephen Fry’s Microblog “Twitter”)

Научный диалог, 2018
The models of self-presentation as a way of constructing identity and a form of self-reflection are considered. The empirical material for the study was S.
E. I. Sychova, A. M. Plotnikova
doaj   +1 more source

Artistic creativity of martiros saryan as the indicator of national self-identification of the personality in a multicultural space: features of methodology of a retrospective research

Journal of Fundamental and Applied Sciences, 2018
In this article, the life and works of the famous Armenian artist, founder of the modern Armenian school of painting Martiros Saryan (1880-1972) are analyzed in the context of the influence of Russian and Armenian culture during the Russian period of his activity. In this retrospective analysis of the life and works of the artist, it is proposed to use
Fedotova, O., Ermakov, P., Latun, V., Hovhannisyan, H., Avanesyan, G., Berberian, A.   +5 more
openaire   +2 more sources

When Artists Fall: Honoring and Admiring the Immoral [PDF]

, 2019
Is it appropriate to honor artists who have created great works but who have also acted immorally? In this article, after arguing that honoring involves identifying a person as someone we ought to admire, we present three moral reasons against honoring ...
Archer, Alfred, Matheson, Benjamin
core   +1 more source

Determinants of impact : towards a better understanding of encounters with the arts [PDF]

, 2007
The article argues that current methods for assessing the impact of the arts are largely based on a fragmented and incomplete understanding of the cognitive, psychological and socio-cultural dynamics that govern the aesthetic experience.
Abercrombie N., Atkins B., Averill J. R., Belfiore E., Belfiore E., Bennett S., Berleant A., Berleant A., Bishop C., Bondora J. T., Boruah B., Bourdieu P., Bourdieu P., Bourriaud N., Budd M., Butler C., Car[ugrave] A., Carey J., Cole S., Crawford M., Csikszentmihalyi M., Csikszentmihalyi M., Csikszentmihalyi M., Danto A. C., De Bolla P., Denzin N. K., Duffy E., Eleonora Belfiore, Elkins J., Eversmann P., Fannin H. A., Feagin S. L., Fechner G. T., Fisher J. L., Goldie P., Heelas P., Hjort M., Hogan P. C., Jowell T., Katz-Gerro T., Kennard J. E., Kershaw B., Kesner L., Kiell N., Kreitler H., LeVasseur J. J., Lupton D., Maclagan D., Maquet J., McGrath J., McMahon J. A., Miesen H., Mitias M. H., Mittleman L. B., Mortensen P., Motion A., Mullan J., Nell V., Nosek M. A., Nozick R., Oatley K., Oliver Bennett, Parkinson B., Parsons M. J., Phillips D. P., Pirkis J., Price K., Radway J., Ramachandran V. S., Reason M., Richards I. A., Sarland C., Sartre J. P., Sauter W., Segel E., Shweder R. A., Solso R. L., Sparshott F., Storey J., Tompkins J. P., Tulloch J., Valkenburg P. M., Wood D., Yanal R. J., Young K., Zeki S., Zeki S.   +86 more
core   +1 more source

Negotiating Interior Frontiers: Lara Haddad’s A Question of History (2015–16)

Text Matters, 2023
Bringing together insights originating in law studies and art analysis, this article approaches the work of the US-based Syrian artist Lara Haddad through the figuration of “interior frontiers,” exposing how both “interior bonds” and “internal borders ...
Dorota Golańska
doaj   +1 more source