Results 191 to 200 of about 4,594 (255)
Qualities of Indian Artists exemplified by the sthapati (architect)
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Arata Isozaki: the architect as artist
Architectural Research Quarterly, 2020This paper is not a comprehensive survey of the architectural career of Arata Isozaki, one of the most distinguished practicing architects in the world today and the 2019 winner of the Pritzker Prize, but a specific look at his formative years of the 1960s when he began to build his own design methodology.
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An artist and an architect: the Espace Rebeyrolle at Eymoutiers
Museum International, 1997It is rare that an architect and an artist are able to come together to design a museum that will enshrine the artist’s works for posterity. More than a simple showcase, the museum thus becomes an extension of the artist’s genius as reflected in the architect’s own vision and talent.
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The Painterly Poe: Architect, Artist, Author
The Edgar Allan Poe Review, 2023Abstract Many scholars have read Edgar Allan Poe as uniquely enmeshed in an interdisciplinary and intermediary web connecting the visual and practical arts. Poe’s prose is intrinsically multimodal and multisensory, a transgression of disciplinary boundaries that leads to a horrific affect.
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Collaboration: Artists & Architects
Art Journal, 1981To celebrate its centennial the Architectural League of New York, one of whose original intentions had been to bring architects and artists together, decided to mount an exhibition that would give an historical overview of one hundred years of architectural and artistic collaboration.
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Collaborations: Artists and Architects on Public Sites
Art Journal, 1989Collaboration is a term that has been used frequently in the 1980s to describe various interactions among sculptors, architects, and landscape architects. What actually constitutes collaboration, however, is a complex matter; in practice, it has involved everything from the addition of a sculptor to an already planned architectural project to the ...
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Architects and Artists in Mamluk Society: The Perspective of the Sources
Journal of Architectural Education, 1998Abstract This article analyzes the social standing of artists and architects during the Mamluk period. It shows that the majority had a rather modest status. Those few who achieved social recognition had to transform themselves intellectually and socially to move beyond the confines of small-time artisanal limitations. They had to become something else,
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