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The Mnemosyne Atlas and the Meaning of Panel 79 in Aby Warburg's Oeuvre as a Distributed Object

open access: yesLeonardo, 2011
With his Mnemosyne Atlas Aby Warburg set out to find a revisionist method for studying art that surpassed its understanding through language. But his goal set up a new challenge. How does one comprehend what Warburg called an “art history without text” when he offered no explanation for its use?
Sara Angel
exaly   +3 more sources

Digitising Aby Warburg’s Mnemosyne Atlas

open access: yesTheory, Culture & Society, 2020
Archives are being digitised on an enormous scale worldwide, and the connections between Aby Warburg’s Mnemosyne Atlas and the contemporary digital accumulation of data have not been lost on contemporary scholars. By problematising what I suggest is a simplified relation between repetition and replication in the transmission of Warburg’s body of work ...
Grundtmann, Naja le Fevre
openaire   +3 more sources
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Aby Warburg’s Atlas Mnemosyne and the Trans-Individual

Numanities - Arts and Humanities in Progress, 2021
The art historian Aby Warburg, in his attempt to explain the hold of antiquity on European culture, developed a notion of the ‘afterlife’ or ‘survival’ of images of antiquity that transmitted a gestural and material energy. This, his ‘pathos formula’, is effectively present even in images of the present day.
Derek Pigrum, Pigrum Derek
exaly   +2 more sources

EASY READING MNEMOSYNE ROAD ATLAS

open access: yes, 2016
From its very beginnings, my artistic practice has revolved around space, broadly conceived. Phenomenology leant me its language to explain the heuristic marvel of perspective, of the translation of dimensional space into flat, planar information, of the imposition and projection of this practiced thing back onto embodied experience.
Radoshevich, Danica M
openaire   +3 more sources

Towards an Edition of the Atlas. Gertrud Bing’s Unpublished Notes on the Mnemosyne Atlas Panels

open access: yes
We present hitherto unpublished handwritten notes made by Gertrud Bing after the Kulturwissenschaftliche Bibliothek Warburg relocated to London, possibly in the mid-1930s. The notes, which were written in two notebooks now housed at the Warburg Institute Archive, provide a synopsis of each Panel of the Mnemosyne Atlas.
Zanon, Giulia
openaire   +2 more sources

Atlas Mnemosyne: Aby Warburg's inspirations for design and sustainability practices

ENSUS 2024 - XII Encontro de Sustentabilidade em Projeto
This paper presents the process of scenario building, situating it within the context of design for sustainability. It draws upon the concepts of utopia/dystopia and heterotopia, elaborating on the concept of ecotopias. It reports on research and project experiences with a scenaristic character, which, following Aby Warburg's lesson, are interpreted as
exaly   +2 more sources

The Angel and the Head-huntress. A Reading of Plate 47 of the Mnemosyne Atlas

open access: yes, 2014
This reading of table 47 of the Atlas Mnemosyne is illustrated through thematic and plastic paths. The thematic analysis cuts the panel into two vertical sections, divided into homogeneous subgroups. On the left hand side, figures from the New and the Old Testament stage episodes of protection (a young Jesus returning from the Temple; Tobias saved by ...
Maria Bergamo   +7 more
core   +4 more sources

Ordem sustentada. O Atlas Mnemosyne de Aby Warburg

19&20
No início do século XX, a ideia de que o conhecimento podia ser obtido através de combinações de imagens não era uma abordagem incomum na história da arte. Mas o círculo em torno da Kunstwissenschaftliche Bibliothek Warburg (KBW) seguia uma procedimento que integrava formas de organização pensadas de maneira singular.
exaly   +2 more sources

A Sobrevivência de Cupido no Atlas Mnemosyne

Anais do 34º Encontro Nacional da ANPAP - Extremos
Matheus Galimberti Zanini   +2 more
exaly   +2 more sources

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