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Digitising Aby Warburg’s Mnemosyne Atlas
Theory, Culture & Society, 2020Archives are being digitised on an enormous scale worldwide, and the connections between Aby Warburg’s Mnemosyne Atlas and the contemporary digital accumulation of data have not been lost on contemporary scholars. By problematising what I suggest is a simplified relation between repetition and replication in the transmission of Warburg’s body of work ...
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Aby Warburg’s Atlas Mnemosyne and the Trans-Individual
2021The art historian Aby Warburg, in his attempt to explain the hold of antiquity on European culture, developed a notion of the ‘afterlife’ or ‘survival’ of images of antiquity that transmitted a gestural and material energy. This, his ‘pathos formula’, is effectively present even in images of the present day.
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EASY READING MNEMOSYNE ROAD ATLAS
2016From its very beginnings, my artistic practice has revolved around space, broadly conceived. Phenomenology leant me its language to explain the heuristic marvel of perspective, of the translation of dimensional space into flat, planar information, of the imposition and projection of this practiced thing back onto embodied experience.
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Il passo della Ninfa fiorentina Lettura interpretativa di Mnemosyne Atlas, Tavola 46
2021The proposed work is the result of the Seminario Mnemosyne s work on panel 46, "Nymph", of Aby Warburg s Atlas. The essay consists of an interpretative reading of the Panel, where the focus has been shifted to the relationship between two of the figurative manifestations of the Florentine Nymph.
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Ordem sustentada. O Atlas Mnemosyne de Aby Warburg
19&20No início do século XX, a ideia de que o conhecimento podia ser obtido através de combinações de imagens não era uma abordagem incomum na história da arte. Mas o círculo em torno da Kunstwissenschaftliche Bibliothek Warburg (KBW) seguia uma procedimento que integrava formas de organização pensadas de maneira singular.
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2016
In this article we display the panels of the Bilderatals exibited for the first time by Warburg at the Hertziana Library in Rome in the 19th January 1929. There are several differences between this version and the Hamburg version exibited in October 1929, concerning the "Astrology" theme and the "Orientation" theme.
Centanni, Monica, De Laude, Silvia
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In this article we display the panels of the Bilderatals exibited for the first time by Warburg at the Hertziana Library in Rome in the 19th January 1929. There are several differences between this version and the Hamburg version exibited in October 1929, concerning the "Astrology" theme and the "Orientation" theme.
Centanni, Monica, De Laude, Silvia
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Aby Warburg e Mnemosyne Atlas. Editoriale di Engramma n. 114
2014Engramma issue no. 114 “Aby Warburg e Mnemosyne Atlas” includes contributions by Monica Centanni, Daniela Sacco, Elizabeth Thomson, Giovanna Pasini, Emily V. Bovino, Elena Canadelli, Alice Barale, Seminario Mnemosyne.
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Orientamento: cosmologia, geografia, genealogia. Lettura di Mnemosyne Atlas, Tavola A
2004This is a reading of Panel A of Warburg’s Mnemosine Bileratlas. This first panel offers a general overview of the historical, geographical, and gnoseological co-ordinates of the Atlas.The panel is divided in three parts: a geographical map, representing the peregrination of images and subjects; a constellation map, representing the magico-religiuos ...
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