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, 2012 The author analyzes the characteristics of the allegory that Baltasar Gracián unfolds widely in the work The Criticón establishing interesting comparisons with the allegory notion that Walter Benjamin develops in his book Ursprung des deutschen Trauerspiels.
Fernández Orrico, Jesús
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Mnemosyne. Un Trauerspiel moderno da Amburgo. In bianco e nero
Aisthesis, 2012 Warburg’s inquiry does not oppose Renaissance to Baroque; on the contrary the Renaissance shows here the features of those melancholy which for Benjamin belongs to the seventeen-century “Trauerspiel”.
Manuela Pallotto
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„Trauerspiel“. Die Schuld im Spiel. Spiel, Souveränität, Schuld, Einfühlung im Lichte Benjamins
Internationale Zeitschrift für Kulturkomparatistik, 2022 This article discusses the theatrical form named in German Trauerspiel (the baroque drama or mourning play), focusing on the constitutive elements of its concept – both play and mourning.
Massimo Palma
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Aisthesis, 2022 This article investigates the relationship between secular politics and theology in Walter Benjamin’s The Origin of German Trauerspiel. It explores that question by starting from how the Weimar legal theory conceived the relationship between modern ...
Nikolaos Tzanakis Papadakis
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Modernist Drama and Referentiality: T.S. Eliot’s Sweeney Agonistes and Walter Benjamin’s Trauerspiel [PDF]
Литература двух Америк, 2022 “Words strain, / Crack and sometimes break, … will not stay in place, / Will not staystill” (Burnt Norton V). Using words and not being used by them is rare to Eliot’s thought tormented figures, from his drama Sweeney Agonistes to Four Quartets.
Giuliana Ferreccio
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O drama da alegoria no século XVII
Kalagatos, 2021 A perda do ethos representada na idéia do Trauerspiel caracteriza, no pensamento de Walter Benjamin, a facies hippocratica da História. Esse conceito de physis do século XVII, é interpretado, como a pré-história do processo de transformação da cultura ...
Tereza de Castro Callado
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Revista de Filología Alemana, 2022 El presente artículo analiza la articulación de la constancia neoestoica en el Trauerspiel de Andreas Gryphius Catharina von Georgien (1657). Este ideal lleva a la protagonista a resistir los giros de la Fortuna, ya que comprende que incluso las ...
Rodrigo Carmen-Cerdán
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Griot, 2023 Cuando Walter Benjamin desarrolla en el “Prólogo epistemocrítico” de El origen del Trauerspiel alemán la más extensa de las presentaciones de su teoría del conocimiento (así como la única publicada en vida), lo hace a partir de una explícita ...
Raimundo Fernández Mouján
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A ideia barroca como direito e literatura na obra de Walter Benjamin
Prisma Jurídico, 2010 O presente artigo pretende estudar a relação entre direito e literatura, a partir da obra Origem do drama barroco alemão – Trauerspiel, de Walter Benjamin. Para, dessa maneira, pensar como a ideia barroca marcada pela perda de transcendência e pela busca
Virginia Juliane Adami Paulino
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