Results 11 to 20 of about 131 (121)
„Trauerspiel“. Die Schuld im Spiel. Spiel, Souveränität, Schuld, Einfühlung im Lichte Benjamins
Internationale Zeitschrift für Kulturkomparatistik, 2022 This article discusses the theatrical form named in German Trauerspiel (the baroque drama or mourning play), focusing on the constitutive elements of its concept – both play and mourning.
Massimo Palma
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Von Ibrahim zu Ibrahim: Daniel Casper von Lohensteins „Türkische Trauerspiele“
The German Quarterly, Volume 96, Issue 2, Page 230-249, Spring 2023., 2023 Abstract Klaus Günter Just ordnete die Dramentexte Daniel Casper von Lohensteins in seiner zwischen 1953 und 1957 erschienenen historisch‐kritischen Edition nicht chronologisch, sondern geographisch und kulturell drei Rubriken zu: afrikanische, römische und türkische Trauerspiele – eine Kategorisierung, die von Generationen von Literaturwissenschaftler*
Isabel von Holt
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Mnemosyne. Un Trauerspiel moderno da Amburgo. In bianco e nero
Aisthesis, 2012 Warburg’s inquiry does not oppose Renaissance to Baroque; on the contrary the Renaissance shows here the features of those melancholy which for Benjamin belongs to the seventeen-century “Trauerspiel”.
Manuela Pallotto
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Orbis Litterarum, Volume 78, Issue 1, Page 31-44, February 2023., 2023 This article explores the relationship between gender and history in Nicolas de Montreux’s historical tragedy La Sophonisbe (1601), specifically how the drama uses the historical female figure of Sophonisbe to negotiate what it means to take part in history.
Anastasia Ladefoged Larn
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German Life and Letters, Volume 76, Issue 1, Page 21-42, January 2023., 2023 ABSTRACT The essay examines the representation of relationships between children on the cusp of adulthood and their parents in dramas by Friedrich Maximilian Klinger, Heinrich Leopold Wagner and Friedrich Müller (known as ‘Maler Müller’). It positions the Sturm und Drang in dialogue with the wider European Enlightenment, and especially with Rousseau's ...
Elystan Griffiths
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Aisthesis, 2022 This article investigates the relationship between secular politics and theology in Walter Benjamin’s The Origin of German Trauerspiel. It explores that question by starting from how the Weimar legal theory conceived the relationship between modern ...
Nikolaos Tzanakis Papadakis
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Two sorts of natural history: On a central concept in critical theory and ethical naturalism
European Journal of Philosophy, Volume 30, Issue 4, Page 1248-1267, December 2022., 2022 Abstract The concept of natural history has received a great deal of attention in contemporary practical philosophy, especially as a result of Michael Thompson's concept of natural‐historical judgments which aims to explain the normativity of the human life‐form.
Philip Hogh
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O drama da alegoria no século XVII
Kalagatos, 2021 A perda do ethos representada na idéia do Trauerspiel caracteriza, no pensamento de Walter Benjamin, a facies hippocratica da História. Esse conceito de physis do século XVII, é interpretado, como a pré-história do processo de transformação da cultura ...
Tereza de Castro Callado
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Modernist Drama and Referentiality: T.S. Eliot’s Sweeney Agonistes and Walter Benjamin’s Trauerspiel [PDF]
Литература двух Америк, 2022 “Words strain, / Crack and sometimes break, … will not stay in place, / Will not staystill” (Burnt Norton V). Using words and not being used by them is rare to Eliot’s thought tormented figures, from his drama Sweeney Agonistes to Four Quartets.
Giuliana Ferreccio
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