Results 11 to 20 of about 8,821 (165)
Von Ibrahim zu Ibrahim: Daniel Casper von Lohensteins „Türkische Trauerspiele“
The German Quarterly, Volume 96, Issue 2, Page 230-249, Spring 2023., 2023 Abstract Klaus Günter Just ordnete die Dramentexte Daniel Casper von Lohensteins in seiner zwischen 1953 und 1957 erschienenen historisch‐kritischen Edition nicht chronologisch, sondern geographisch und kulturell drei Rubriken zu: afrikanische, römische und türkische Trauerspiele – eine Kategorisierung, die von Generationen von Literaturwissenschaftler*
Isabel von Holt
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Orbis Litterarum, Volume 78, Issue 1, Page 31-44, February 2023., 2023 This article explores the relationship between gender and history in Nicolas de Montreux’s historical tragedy La Sophonisbe (1601), specifically how the drama uses the historical female figure of Sophonisbe to negotiate what it means to take part in history.
Anastasia Ladefoged Larn
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German Life and Letters, Volume 76, Issue 1, Page 21-42, January 2023., 2023 ABSTRACT The essay examines the representation of relationships between children on the cusp of adulthood and their parents in dramas by Friedrich Maximilian Klinger, Heinrich Leopold Wagner and Friedrich Müller (known as ‘Maler Müller’). It positions the Sturm und Drang in dialogue with the wider European Enlightenment, and especially with Rousseau's ...
Elystan Griffiths
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Two sorts of natural history: On a central concept in critical theory and ethical naturalism
European Journal of Philosophy, Volume 30, Issue 4, Page 1248-1267, December 2022., 2022 Abstract The concept of natural history has received a great deal of attention in contemporary practical philosophy, especially as a result of Michael Thompson's concept of natural‐historical judgments which aims to explain the normativity of the human life‐form.
Philip Hogh
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The Component of "Inner Plot Representation" with a Focus on Walter Benjamin's Concept of Trauerspiel in Selected Plays by Bahram Beyzaie and Naghmeh Samini [PDF]
هنرهای زیبا. هنرهای نمایشی و موسیقیThis research examines the component of "inner plot representation" based on Walter Benjamin's concept of Trauerspiel to achieve a novel structure of plot.
Parastoo Mohebbi, raha charkhchi
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Der Mantel des Königs. Zum symbolischen Gehalt von Ottokars Prunkmantel in Franz Grillparzers Trauerspiel ‚König Ottokars Glück und Ende‘ [PDF]
Acta Facultatis Philosophicae Universitatis Ostraviensis. Studia Germanistica, 2021 Clothing plays an important role in the tragedy ‘König Ottokars Glück und Ende’ by the Austrian dramatist Franz Grillparzer – however, this role has not yet been adequately explored.
Miroslav Urbanec
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Hamlet or Europe and the end of modern Trauerspiel
Aisthesis, 2019 Hamlet’s character sets, under different shapes and extents, the benchmark against which a large part of the European philosophy of the very long «short twentieth-century» behind us has had to measure.
Fabrizio Desideri
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Remapping the Constellation of Walter Benjamin’s Allegorical Method
American, British and Canadian Studies Journal, 2015 The now-longstanding academic revival of allegory, as well as its import as a perennial buzzword of contemporary art criticism, owes much to a group of essays published in the journal October in the early 1980s.
Wong Jack
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El "órganon" invisible : la gramática teológica del tiempo benjaminiano [PDF]
, 2017 Es conocida la "confesión" de Benjamin sobre la teología en el momento en que refuta la idea de progreso: "Mi pensamiento se relaciona con la teología como el papel secante con la tinta. Está empapado en ella.
Naishtat, Francisco
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Revista de História, 1988 (Primeiro Parágrafo do Artigo) No ensaio "A Modernidade" (1938), espécie de síntese do complexo "Trabalho das Passagens" Walter Benjamin define a época de Baudelaire - e por afinidade , sua própria - com uma metáfora barroca teatral: "A ...
Willi Bolle
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