Results 11 to 20 of about 186 (137)
Critical Quarterly, Volume 65, Issue 1, Page 89-95, April 2023.
Maria Horvei
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Warburg’s Mnemosyne Atlas as another Iconoclastic Way
There are other forms of iconoclasm besides the destruction of idols. For example, an iconoclast can be considered one who, instead of eliminating a deified image, reveals the trick of a magician. The manipulator distracts attention with the gesture of one hand while the other acts.
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The fruitful intellectual exchange between Aby Warburg and Ernst Cassirer revolves around the concept of “symbolic function”. In particular, the concept of function that emerges from Cassirer’s early volume, Substance and Function (1910), can be applied ...
Daniela Sacco
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Aesthetic Form: Cassirer - Warburg [PDF]
This paper examines and compares the concept of the symbol in the work of Ernst Cassirer and Aby Warburg, two thinkers who collaborated and influenced one another through their association at the Warburg Institute.
Neimarlija Lamija
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Pozaba briše meje med znamenjem in njegovim pomenom. V vizualni obliki je teoretska struktura pozabe izražena kot konotativno slepa podoba. Aby Warburg je s tem, ko je formaliziral svoj Mnemosyne Atlas, izrazil pomen zgodovinskega nepozabljenja ...
Nataša Lah
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Zooming Mnemosyne Notes on the Use of Detail in the Mnemosyne Atlas
In this contribution Zanon investigates the use of detail as a scholarly tool in Warburg's corpus. In the first phase of an ongoing study, the author makes a recognition of the cases in which the detail of an image in the Atlas is enlarged and juxtaposed to its original, highlighting the different visual strategies exploited by the scholar to develop ...
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Mnemosyne. Un Trauerspiel moderno da Amburgo. In bianco e nero
Warburg’s inquiry does not oppose Renaissance to Baroque; on the contrary the Renaissance shows here the features of those melancholy which for Benjamin belongs to the seventeen-century “Trauerspiel”.
Manuela Pallotto
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As “Mnemosyne(s)” de Aby Warburg: Entre Antropologia, Imagens e Arte
Tornou-se urgente repensar o papel das imagens e da Arte em uma necessária reformulação do ofício antropológico. O presente ensaio situa Aby Warburg - precisamente um historiador da Arte e um antropólogo – e a dupla dimensão de sua obra Mnemosyne: tanto ...
Etienne Samain
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THE GHOSTS OF IMAGE: FROM WRITERS’ MUSEUMS TO THE MNEMOSYNE ATLAS
In this paper we aim, by opening up to exploration the possible definitions or aspects of the concept of image, to demonstrate that the state of emotion and the truth described by Gilles Deleuze as the ideal essence of signifiers of art is in fact manifested in the image.
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Migrant Images. Refugees between Pathos and Montage
The article is an attempt to explain the basic methodological principles behind the project of the online visual platform called Refugee Atlas. The crucial issue discussed here is the relation between the work on the atlas and the legacy of German art ...
Mościcki Paweł
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