Results 1 to 10 of about 96,250 (165)

SCALABLE AUDIO CODING USING WATERMARKING [PDF]

open access: yes2013 IEEE International Conference on Multimedia and Expo (ICME), 2013
A scalable audio coding method is proposed using a technique, Quantization Index Modulation, borrowed from watermarking. Some of the information of each layer output is embedded (watermarked) in the previous layer.
Mahmood Movassagh, Peter Kabal
core   +2 more sources

Analisis Kemampuan Mpeg Spatial Audio Object Coding untuk Reproduksi Audio Multikanal

open access: yesJurnal Nasional Teknik Elektro, 2017
MPEG Spatial Audio Object Coding (MPEG SAOC) is the first standard on object-based audio coding released by International Organization for Standardization (ISO). The MPEG SAOC has ability to reproduce multichannel audio at the decoder side.
Amirul Luthfi, Ikhwana Elfitri
doaj   +3 more sources

Reviews on Technology and Standard of Spatial Audio Coding

open access: yesJurnal Nasional Teknik Elektro, 2017
Market  demands  on a more impressive entertainment media have motivated for delivery of three dimensional  (3D) audio content to  home consumers  through Ultra  High  Definition  TV  (UHDTV), the next generation of TV broadcasting, where spatial  audio
Ikhwana Elfitri, Amirul Luthfi
doaj   +3 more sources

Bit rates in audio source coding [PDF]

open access: yes, 1992
The goal is to introduce and solve the audio coding optimization problem. Psychoacoustic results such as masking and excitation pattern models are combined with results from rate distortion theory to formulate the audio coding optimization problem.
Veldhuis, Raymond N.J.
core   +3 more sources

ATSC Video and Audio Coding [PDF]

open access: yesProceedings of the IEEE, 2006
In recent decades, digital video and audio coding technologies have helped revolutionize the ways we create, deliver, and consume audiovisual content. This is exemplified by digital television (DTV), which is emerging as a captivating new program and data broadcasting service.
Grant A. Davidson   +4 more
openaire   +1 more source

High Quality Audio Coding with Mdctnet

open access: yesICASSP 2023 - 2023 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP), 2023
We propose a neural audio generative model, MDCTNet, operating in the perceptually weighted domain of an adaptive modified discrete cosine transform (MDCT). The architecture of the model captures correlations in both time and frequency directions with recurrent layers (RNNs).
Grant A. Davidson   +5 more
openaire   +2 more sources

A Novel Combined System of Direction Estimation and Sound Zooming of Multiple Speakers [PDF]

open access: yes, 2015
This article presents a new system for estimation the direction of multiple speakers and zooming the sound of one of them at a time. The proposed system is a combination of two levels; namely, sound source direction estimation, and acoustic zooming.
Khaddour, H., Rund, F., Schimmel, J.
core   +2 more sources

Coding overcomplete representations of audio using the MCLT [PDF]

open access: yes, 2008
We propose a system for audio coding using the modulated complex lapped transform (MCLT). In general, it is difficult to encode signals using overcomplete representations without avoiding a penalty in rate-distortion performance.
Malvar, Henrique S., Yoon, Byung‐Jun
core   +2 more sources

Audio coding via EMD

open access: yesDigital Signal Processing, 2020
Abstract In this paper an audio coding scheme based on the empirical mode decomposition in association with a psychoacoustic model is presented. The principle of the method consists in breaking down adaptively the audio signal into intrinsic oscillatory components, called Intrinsic Mode Functions (IMFs), that are fully described by their local ...
Abdel-Ouahab Boudraa   +4 more
openaire   +4 more sources

Studi dan Analisis Kinerja Mpeg Surround pada Bitrate 256 – 400 Kbps

open access: yesJurnal Nasional Teknik Elektro, 2016
MPEG Surround is one of the spatial audio codings that  popularly used. MPEG Surround is generally used at a low bitrate such as 64, 96 and 160 kbps. MPEG Surround can be used at high bitrates, but the audio quality produced in the bitrate is not yet ...
Amirul Luthfi   +2 more
doaj   +3 more sources

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