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Psychoacoustic Models for Perceptual Audio Coding—A Tutorial Review [PDF]

open access: yesApplied Sciences, 2019
Psychoacoustic models of human auditory perception have found an important application in the realm of perceptual audio coding, where exploiting the limitations of perception and removal of irrelevance is key to achieving a significant reduction in ...
Jürgen Herre, Sascha Dick
doaj   +4 more sources

A Perceptual Model for Sinusoidal Audio Coding Based on Spectral Integration [PDF]

open access: yesEURASIP Journal on Advances in Signal Processing, 2005
Psychoacoustical models have been used extensively within audio coding applications over the past decades. Recently, parametric coding techniques have been applied to general audio and this has created the need for a psychoacoustical model that is ...
Jensen Søren Holdt   +4 more
doaj   +5 more sources

Perceptual Audio Coding: A 40-Year Historical Perspective

open access: yesICASSP 2025 - 2025 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP)
In the history of audio and acoustic signal processing, perceptual audio coding has certainly excelled as a bright success story by its ubiquitous deployment in virtually all digital media devices, such as computers, tablets, mobile phones, set-top-boxes, and digital radios.
Jürgen Herre, Minje Kim
exaly   +3 more sources

Multisensory training enhances anticipation skills in badminton novices [PDF]

open access: yesScientific Reports
In racket sports like badminton, accurately predicting shot timing and spatial positioning allows athletes to better interpret opponents’ intentions and respond quickly.
Xiaoting Wang   +3 more
doaj   +2 more sources

Perceptual coding of digital audio [PDF]

open access: yesProceedings of the IEEE, 2000
During the last decade, CD-quality digital audio has essentially replaced analog audio. Emerging digital audio applications for network, wireless, and multimedia computing systems face a series of constraints such as reduced channel bandwidth, limited storage capacity, and low cost.
Ted Painter, Andreas Spanias
openaire   +2 more sources

Perceptual Coding of Audio Signals Using Adaptive Time-Frequency Transform

open access: yesEURASIP Journal on Audio, Speech, and Music Processing, 2007
Wide band digital audio signals have a very high data-rate associated with them due to their complex nature and demand for high-quality reproduction.
Umapathy Karthikeyan, Krishnan Sridhar
doaj   +2 more sources

A Multimedia Application: Spatial Perceptual Entropy of Multichannel Audio Signals

open access: yesEURASIP Journal on Wireless Communications and Networking, 2010
Usually multimedia data have to be compressed before transmitting, and higher compression rate, or equivalently lower bitrate, relieves the load of communication channels but impacts negatively the quality.
Shuixian Chen, Ruimin Hu, Naixue Xiong
doaj   +2 more sources

Music Information Retrieval in Live Coding: A Theoretical Framework [PDF]

open access: yes, 2018
The work presented in this article has been partly conducted while the first author was at Georgia Tech from 2015–2017 with the support of the School of Music, the Center for Music Technology and Women in Music Tech at Georgia Tech. Another part of this
Freeman, Jason   +2 more
core   +2 more sources

Multiresolution Source/Filter Model for Low Bitrate Coding of Spot Microphone Signals

open access: yesEURASIP Journal on Audio, Speech, and Music Processing, 2008
A multiresolution source/filter model for coding of audio source signals (spot recordings) is proposed. Spot recordings are a subset of the multimicrophone recordings of a music performance, before the mixing process is applied for producing the final ...
Panagiotis Tsakalides   +2 more
doaj   +2 more sources

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