Results 61 to 70 of about 35,578 (207)
Transgression of Postindustrial Dissonance and Excess: (Re)valuation of Gothicism in Jim Jarmusch’s Only Lovers Left Alive [PDF]
The paper gives insight into the revaluation of popular Gothic aesthetics in Jim Jarmusch’s 2014 production Only Lovers Left Alive. Drawing on critical theory and the postmodern theoretical framework, the article suggests that the film transgresses ...
Stępień, Justyna
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'Our Families' by Marta Pinto: An Audiovisual Essay on 'A Portuguese Farewell' and 'Tokyo Story'
Journal of Science and Technology of the Arts, v. 15 n. 1 (2023)
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Herding cats: observing live coding in the wild [PDF]
After a momentous decade of live coding activities, this paper seeks to explore the practice with the aim of situating it in the history of contemporary arts and music.
Aaron S. +13 more
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A geographical issue: the contribution of Citizenship Education to the building of a European citizenship. The case of the VOICEs Comenius network [PDF]
Citizenship Education is currently a consolidated issue within several European curricula. It has been integrated in national educational laws in different ways: as cross-curricular education (UK, Italy), as a subject (France, Spain) or as a skill ...
Granados Sanchez, Jesus +1 more
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Audiovisual formative feedback in online quizzes and essays [PDF]
A workshop which presents the use of audiovisual formative feedback used in both online quizzes and essays. The workshop focusses particularly on generic feedback and how it can be prepared. The task asks the participants to use the website www.splicd.com to edit a YouTube video so that a brief audiovisual clip could be used as feedback.
Jabbar, Abdul, Ireland, Chris
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Ten Years of Participatory Cinema as a Form of Political Solidarity with Refugees in Italy. From ZaLab and Archivio Memorie Migranti to 4CaniperStrada [PDF]
This paper introduces the context of European mobilizations for and against refugees and how participatory cinema has become a way of expressing political solidarity with refugees in Italy.
Frisina, ANNALISA MARIA +1 more
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WRITING WITH PICTURES: THE AUDIOVISUAL, THE ESSAY AND TELEVISION
How do we write using the audiovisual? Many of us are facing this challenge, frustrated by the restrictions of prose-only analyses. One answer is the audiovisual essay, in its poetic and analytic variants. These have recently taken off in the UK, especially in film studies, as a result of the significant loosening of copyright law, which now explicitly
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