Results 101 to 110 of about 503 (157)
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2017
The 1970s saw the first signs of a new way of thinking about photography in France. This was underpinned by a two-way movement in artistic practice and its theorization, with names like Raymond Depardon, Gilles Mora, Claude Nori, Bernard Plossu and Denis Roche in the forefront.
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The 1970s saw the first signs of a new way of thinking about photography in France. This was underpinned by a two-way movement in artistic practice and its theorization, with names like Raymond Depardon, Gilles Mora, Claude Nori, Bernard Plossu and Denis Roche in the forefront.
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Recherches anglaises et nord-américaines, 2010
Paira-Pemberton Jean. A poet’s autobiography. In: Recherches anglaises et nord-américaines, hors-série 2010. RANAM Hors Série 2010: Selected Poems - Jean Paira-Pemberton. pp. 11-24.
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Paira-Pemberton Jean. A poet’s autobiography. In: Recherches anglaises et nord-américaines, hors-série 2010. RANAM Hors Série 2010: Selected Poems - Jean Paira-Pemberton. pp. 11-24.
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Carnaps Autobiographie als Autobiographie
Deutsche Zeitschrift für Philosophie, 2019Abstract Rudolf Carnap’s intellectual autobiography was published in 1963. The specific characteristics of this kind of text and its reception shape his self-testimony. This article examines how these characteristics – typical narrative position and structure, problems of truth and veracity, well-rounded self-presentation – are manifest ...
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Coleridge's Biographia : When is an Autobiography Not an Autobiography?
Biography, 1997Critical discussion of Coleridge's Biographia Literaria has been dogged by questions about its form and genre since the book was first published in 1817. This article aims to answer these questions by considering the historical conditions under which the work was published; certain distinctive features of Coleridge's project; and the conventions of ...
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On the Genre of Autobiography or African American Autobiography
International Journal of Drug Delivery TechnologyThis study explores the genre of autobiography with a specific focus on African American and African diasporic autobiographical traditions. It examines how autobiography functions not only as a literary form but also as a socio-cultural and political instrument for identity construction, resistance, and historical representation.
Heba Rajili A, S. Stephen Jebanesan
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2007
This chapter discusses how autobiography is represented schematically in Dante's poem by the synthesis of Platonic allegory with traditional biblical motifs. Dante's descent into Malebolge—and particularly the figure of Geryon, which epitomizes it—is an allegorical motif claiming no existence outside the text.
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This chapter discusses how autobiography is represented schematically in Dante's poem by the synthesis of Platonic allegory with traditional biblical motifs. Dante's descent into Malebolge—and particularly the figure of Geryon, which epitomizes it—is an allegorical motif claiming no existence outside the text.
openaire +1 more source