Results 21 to 30 of about 25,750 (191)

5. CONTROVERSIAL CHRONOLOGIES: THE TEMPORAL DEMARCATION OF HISTORIC EVENTS

History and Theory, Volume 60, Issue 1, Page 134-149, March 2021., 2021
ABSTRACT In everyday language and in historiography, influential events are commonly described as “historic” but are rarely defined from a theoretical standpoint. Discussing temporal demarcations of events by scholars—in particular William H. Sewell Jr.'s foundational study of the Storming of the Bastille—this article considers the contemporary urge to
ANNA KARLA
wiley   +1 more source

‘NACH UND NACH MÜSSEN WIR ALLES ABLEHNEN’: HYPERBOLISCHE NEGATIVITÄT BEI THOMAS BERNHARD

German Life and Letters, Volume 74, Issue 1, Page 30-46, January 2021., 2021
Abstract Thomas Bernhard's work abounds in rejections. The impulse of not wanting to participate, of refusing to be complicit, lies at the heart of Bernhard's oeuvre. If this refusal is frequently embedded in discursive or even programmatic strategies, it really seems to undermine its own foundations, the very arguments and justifications put forward ...
Jan Knobloch
wiley   +1 more source

Autobiographie au Tchad : hybridation des formes de l’écriture du moi [PDF]

Ziglôbitha
Résumé : Cet article démontre que certains textes autobiographiques tchadiens sont le lieu d’hybridation des formes de l’écriture du Moi. L’application du « pacte autobiographique » aux œuvres, relevant de cette catégorie générique et de ce champ ...
Emmanuel KALPET, Simon ANDJAFFA DJALDI & Samedi KOYE
doaj   +1 more source

Autistic autobiography [PDF]

Philosophical Transactions of the Royal Society B: Biological Sciences, 2009
Autism narratives are not just stories or histories, describing a given reality. They are creating the language in which to describe the experience of autism, and hence helping to forge the concepts in which to think autism. This paper focuses on a series of autobiographies that began with Grandin's Emergence. These
openaire   +2 more sources

Al Ghazali et ses omissions dans son autobiographie [PDF]

Annales du Patrimoine, 2013
Dr Saliou Ndiaye, Al Ghazali et ses omissions dans son ...
Dr Saliou Ndiaye
doaj  

Erinnertes Leben: Autobiographien, Memoiren und Oral-History-Interviews als historische Quellen [PDF]

, 2004
1. Ego-Dokumente und Selbstzeugnisse:Annäherungen an den Menschen in der Geschichte 2. Zur Bedeutung von Erinnerungen in der Osteuropäischen Geschichte 3. Autobiographien und Memoiren in der russischen und sowjetischen Kultur 4. Quellen wofür?
Merten, Sabine, Stephan, Anke
core   +1 more source

Folklore et écriture vernaculaire dans The Autobiography of Miss Jane Pittman

Transatlantica, 2006
On commencera par relever la richesse vernaculaire de la voix de Miss Jane et la densité folklorique de l’écriture de Gaines qui décrit ainsi son projet : « a folk autobiography ». Une autobiographie « folklorique » ? Certes, le rythme, la grammaire de l’
Laurence Cossu-Beaumont
doaj   +1 more source

Panaït Istrati, un batelier fou sur le fleuve de la passion

M@GM@, 2022
Écrivain roumain d’expression française qui connut un vif succès entre les deux guerres, Panaït Istrati (1884-1935) mena pendant plus de vingt ans une vie de vagabondage sur le pourtour méditerranéen qu’il raconte dans une série de récits largement ...
Frédérica Zéphir
doaj  

Le documentaire cubain entre nostalgie et désillusion, Le Rideau de sucre de Camila Guzmán

Caravelle, 2009
Documentary has always occupied a very important place in the Cuban cinematographic production since 1959. Camila Guzmán was born in Chile and was raised in Cuba after her parents’ exile. Later, when she became an adult, she shot a documentary, Le Rideau
Magali Kabous
doaj   +1 more source

(UN)EINIG? GENERATIONEN VON SCHRIFTSTELLERINNEN IM DIALOG ÜBER DIE EMANZIPATION VON FRAUEN: HELMINA VON CHÉZY, AMALIA SCHOPPE UND AMALIE STRUVE*

German Life and Letters, Volume 77, Issue 3, Page 297-314, July 2024.
Abstract In addition to her literary activities, the writer Helmina von Chézy (1783–1856) was committed to the emancipation of women throughout her life. She took a public stand on women's literary activity, participated in anthology and journal projects and wrote portraits of women in various genres. Among her correspondents was Amalie Struve (1824–62)
Jadwiga Kita‐Huber
wiley   +1 more source