Results 31 to 40 of about 4,696 (199)
Erinnerungskulturen in den Wissenschaften – eine Frage hegemonialer Narrative?
Abstract Individual and institutional memories tend to form hegemonic narratives that serve to create identity and meaning. If history is written by experts and not by professional historians, historical retrospectives and narratives are usually written by leading figures in a particular field.
Felicitas Söhner
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Le documentaire cubain entre nostalgie et désillusion, Le Rideau de sucre de Camila Guzmán
Documentary has always occupied a very important place in the Cuban cinematographic production since 1959. Camila Guzmán was born in Chile and was raised in Cuba after her parents’ exile. Later, when she became an adult, she shot a documentary, Le Rideau
Magali Kabous
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Abstract This article focuses on analysis of the international controversy provoked by the posthumous awarding of the 1972 Peace Prize of the German Book Trade to the Jewish‐Polish physician, pedagogue and writer Janusz Korczak (1878/79–1942). The controversy, which centred around the recipient of the prize money, can be identified as an important ...
Anne Oommen‐Halbach, Thorsten Halling
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Ehren und Erinnern (re‐)konstruieren – ein Kommentar.
Abstract The commentary interprets the practices of remembering and the creation of memory as an attempt at academic and public‐media self‐understanding, which exhibit past‐political, present‐oriented and future‐oriented perspectives and intentions. Academic politics of history and remembrance can hardly be imagined without reference to and interaction
Alexander Pinwinkler
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The Duty of Memory in the Light of Autobiography and History in L'Amour, la fantasia by Assia Djebar ABSTRACT: In L'Amour, la fantasia, the memory is declined from the compromising ordeals of the childhood and youth of Assia Djebar. Djebar's writing,
Mourad Loudiyi
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Échos d’histoires, de mémoires et de (ré)existences dans les récits de soi
Les œuvres autobiographiques présentées ici se constituent qualitativement comme mémoires et écritures de soi et de sa constitution. Cette auto-formation, cependant, n’est pas configurée pour fixer des vérités sur eux-mêmes ou pour rechercher des ...
Ana Rita Santiago
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Queerness, Affekte und Eigensinn in Grimmelshausens Courasche (1670)
Abstract Ausgehend von der Überlegung, dass Grimmelshausens Courasche (1670) trotz einer konservativen Botschaft ein epistemisch subversives Sujet bietet, analysiert der Beitrag den Roman mithilfe von Sara Ahmeds queerer Affekttheorie. Grimmelshausens Protagonistin geht einen bösen Weg, der sie weit von den vorgeschriebenen Pfaden der christlichen ...
Alrik Daldrup
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Étude de l’incipit dans "Enfance" de Nathalie Sarraute et "Les mots" de Jean-Paul Sartre
L’incipit peut répondre à un amas de questions qui concernent les enjeux du jeu autobiographique dans un récit de vie. Il peut comprendre un pacte de données culturelles, où des lectures de l’autobiographe sont affichées. Ces données visent à retrouver l’
Sallem El Azouzi
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I fiori e i frutti delle corti (dal Cortegiano ai Ricordi)
Baldassar Castiglione e Francesco Guicciardini, che appartenevano alla stessa generazione, si sono con tutta probabilità conosciuti di persona, almeno nel periodo in cui hanno servito il papa Clemente VII – tra il 1524 e il 1529 (data della morte di ...
Piero Floriani
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